A hand is not four fingers and a thumb. Nor is it palm and knuckles, not ligaments or the fat's yellow pillow, not tendons, star of the wristbone, meander of veins. A hand is not the thick thatch of its lines with their infinite dramas, nor what it has written, not on the page, not on the ecstatic body. Nor is the hand its meadows of holding, of shaping— not sponge of rising yeast-bread, not rotor pin's smoothness, not ink. The maple's green hands do not cup the proliferant rain. What empties itself falls into the place that is open. A hand turned upward holds only a single, transparent question. Unanswerable, humming like bees, it rises, swarms, departs.
Three Foxes by the Edge of the Field at Twilight
her nose to the ground,
a rusty shadow
neither hunting nor playing.
One stood; sat; lay down; stood again.
One never moved,
except to turn her head a little as we walked.
Finally we drew too close,
and they vanished.
The woods took them back as if they had never been.
I wish I had thought to put my face to the grass.
But we kept walking,
speaking as strangers do when becoming friends.
There is more and more I tell no one,
strangers nor loves.
This slips into the heart
without hurry, as if it had never been.
And yet, among the trees, something has changed.
Something looks back from the trees,
and knows me for who I am.