A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn't matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you'll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don't worry about the armies, says, We live in a time full of love. You're thinking about this too much. Slow down. Nothing bad will happen.
There Is No Audience for Poetry
They wanted him to stop kicking like that— it made their eyes corkscrew, drilled the sun in the sky so light dumped out like blood from a leak. The boy in the trunk wouldn't die. They drove and drove, and he dented the trunk's tight lid, called their names, then pounded the wheel wells with a tire iron. The sun filled their skulls so they felt like hell and the boy in the trunk wouldn't listen. You'd think it was burning hot in there, you'd think he'd be gone, passive, but no. The boy in the trunk banged on and on until the noise grew godalmighty unforgivable and they had no choice but to pull into the woods, leave the car, try to hitch a ride with someone quieter, someone who could listen without interrupting. They'd had a hot day. The road simmered to the overheated sky. But from far away they still heard him, the boy in the trunk, his empty cry.