Summer in Winter in Summer

The bottom teeth of summer

in winter, braided into

whomever stood on the green green bridge watching her shadow lengthen.

Sun-pocket. Sunflower. Seedling, you

brittle blossoming something the room clears of dailyness.

Daily, the bottom teeth of summer

in winter, chewing through

ropes, raree show rapunzeled, which is realism

like this that there can be. These are really happened

tell me again stories I will. I will again against it.

Diving bell in a glass of water. Cacti atmosphere.

A perfect piece of pink cake

complicating perfection’s tendency to falter.

Who left it on the counter? Who walked through the room

as though through a composition? The speaker enters quietly,

closes a window, clearing dust from the chair

to sit in the center of the poem, invigorated

with inky awkward blankness.

The bottom teeth of summer

in winter chattering: here’s the moon. Here’s the moon

splashed over two dozen calendars. Here, the kids are grown.

The day is long. The bed, wide as a battleship, waits

in its buoyancy. Imagine a life and live in it. Imagine dead as ever

walking a cut lily back to water. Crazy epic crazier still trying

to put down roots. Summer in winter like a speaker

in water. The loudest electric sound is nothing compared

to the soundest perforation. My paper life. My paper doll.

Your paper boy. Sun sun sunflower seed summer you

can say you love in a poem’s inky blank awkwardness

your paper boy. Sun sun sunflower seed summer you

to the soundest perforation. My paper life. My paper doll

in water. The loudest electric sound is nothing compared

to put-down roots. Summer in winter like a speaker

walking a cut lily back to water. Crazy epic crazier still trying

in its buoyancy. Imagine a life and live in it. Imagine dead as ever

the day is long. The bed, wide as a battleship, waits,

splashed over two dozen calendars. Here, the kids are grown

in winter chattering: here’s the moon. Here’s the moon.

The bottom teeth of summer

with inky awkward blankness

to sit in the center of the poem, invigorated,

closes a window, clearing dust from the chair.

As though through a composition, the speaker enters. Quietly,

who left it on the counter? Who walked through the room

complicating perfection’s tendency to falter.

A perfect piece of pink cake.

Diving bell in a glass of water. Cacti atmosphere,

tell me again stories I will I will. Again, against it

like this that there can be. These are really happened

ropes, raree show rapunzeled. Which is realism

in winter: Chewing through

daily the bottom teeth of summer?

Brittle blossoming something the room clears of dailyness?

Sun-pocket. Sunflower. Seedling, you

whomever stood on the green green bridge watching her shadow lengthen

in winter, braided into

the bottom teeth of summer.

More by Noah Eli Gordon

Jaywalking the Is: "First Dream" [excerpt]

To say sleep works by accumulation is to disregard the
weather in my head.

It makes a genius of the pillow, an apt anthropomorphic
redundancy.

When the story stumbles into its fearless costume &
everyone at the edge of the woods is worried their waiting-
room bravado won't open to anything but the same door on
the same house that seemed a little off in the morning,
every anecdote has an empty object.

When your own name's written on the gate, negation is just
something we do.

What's redundant about the human personal? The urge to cull
an animal pronoun from a procession of wedding guests?

At least reductive absolutes rivet you somewhere closer to
the actual rainfall, adjudicating ultimatums or handling
the ounce of mulch it takes to cover any experience worth
calling tactile.

There's nothing sharp about a knife in a movie.

& doesn't it make you fearless & brave to say so.

An exact comprehension of the composer's intent

Cloudless sky, a tendril root, a chord begun
     as unfolding duration & one’s lost words,
a red lexicon, an empty definition

gathering its discourse—the flow from content
     to perception: language is a translation of grace.
Say the body, say the heart, a composition in blue,

the passing energy, cell, motion, inevitability;
     an impact until meaning wears through
the mind’s opulence, its spindle—a white thread.

Tethered to conviction, one says moon, one, emotion
     —the recurrence of night: a door will open,
shifting from anonymity to intellection—a translation

of sight with speech, awoken not by voice
     but what precedes it: the worldliness, wordless;
a measure of sound or movement to song.

Refresh. Refresh. Refresh.

I'd give you another day dizzy 
in its bracket for the reluctant circumference 
of a sad sad satellite's antiquated orbital stoppage.
You can't jump with a lead foot, can't 
anthropomorphize insect anticipation, can't 
pixelate postcard nostalgia, can't 
trace a boy's tiny hand and call him
king of anything that crosses your path, your past,
your iconographic reluctance to let go the toehold
of ordinary New York lasting so long at night, so
lusty in traffic & another orphan absently
kicking the underside of an orange plastic chair.
Poems shouldn't make you wait for them to finish.
Like love, they should finish making you wait.