To the Republic
Past fences the first sheepmen cast across the land, processions of cringing pitch or cedar posts pulling into the vanishing point like fretboards carrying barbed melodies, windharp narratives, songs of place, I'm thinking of the long cowboy ballads Ray taught me the beginnings of and would have taught me the ends if he could have remembered them. But remembering was years ago when Ray swamped for ranches at a dollar a day and found, and played guitar in a Saturday night band, and now he is dead and I'm remembering near the end when he just needed a drink before he could tie his shoes. We'd stay up all night playing the beginnings of songs like Falling Leaf, about a girl who died of grief, and Zebra Dun, about a horse that pawed the light out of the moon. Sometimes Ray would break through and recall a few more verses before he'd drop a line or scramble a rhyme or just go blank, and his workfat hands would drop the chords and fall away in disbelief. Between songs he'd pull on the rum or unleash coughing fits that sounded like nails in a paper bag. Done, he'd straighten and say, My cough's not just right, I need another cigarette, and light the Parliament he bit at an upward angle like Roosevelt and play the start of another song. Then, played out and drunk enough to go home, he'd pick up his hat and case and make it, usually on a second try, through the front gate and gently list out into the early morning dark, beginning again some song without end, yodeling his vote under spangles.
From Resurrection Update: Collected Poems 1975-1997, published by Copper Canyon Press, 1997. (Originally published in Elements, 1988.) Copyright © 1997 by James Galvin. All rights reserved. Used with permission.