Reparation
40 acres & a jewel-encrusted orchid crown
for each & every living baby girl
growing up the way
we did. The way
we do. Unbridled. Unburied
though we stay pursued
by the U.S. school-to-prison
state’s laser-like vision.
Bi-weekly standing ovations.
Bras-Coupé resuscitated
with a sledgehammer slung over
his left shoulder, eyes ablaze
& dead set on the private
sector, the price
of four-year tuition, four-year
fascist presidents, any & all forms
of predatory opulence. Scholarships.
Scholars that love us
enough to break this language
lengthwise, filled as it is
with the bones of our fallen. Monuments
to the fallen. A grave site
for the illustrious Negro dead,
like Zora Neale Hurston said,
illustrious meaning you were black
& full of adoration, or vexed,
which is just another way
of saying you wanted to survive
the world said die
& you refused its refusal.
Another approach to the general
sentiment that Blackness
is beautiful, with no referent
to their everyday negation
of our essential, human splendor.
An apology on the Senate
floor. For the trade, the plunder
of our names, unremarked
graves, a hand in the hair,
a boot to the throat, guns
in the schools & the guns
are the books, the stares
of the second grade teacher
calling your son a distraction,
your daughter’s braids illegal,
your building a blight
on the neighborhood,
the good you do & dream
of never quite good
enough to merit
the bull’s eye’s removal.
A ship to wherever
we point on a map
of the measurable
universe, dare call
harbor, sanctum, ground
where the children can play
& come home whole.
From Owed (Penguin Poets, 2020). Copyright © 2020 Joshua Bennett. Used with permission of the author and Penguin Random House.