Sometimes I try to make poetry but mostly 
    I try to earn a living. There's something still living
 in every urn, I am sure of it. The ash moves 
       around inside the vase like the magnetic filings that make 
the moustache of Wooly Willy. Maybe a new face counts 
      as reincarnation. The wand says, "I'll be your ostrich,
 if you'll be my swan." In this life, what did I do wrong?  
I think my heart is a magnet too. It attracts anything
 that attracts joy like the summer grasses the swans track through. 
       OMG, how in love I am with joy and with yours—how I know 
that adding to it would only take it further off course, 
      off its precarious center, so for once, I won't touch it.
 I will stand wand-length away—let it 
    glide stupidly on its weightless line, without me.

Ode to Country Music

If I wasn't such a deadbeat, I'd learn Greek.
    I wouldn't write sonnets; I'd write epics
and odes. I'd love a man who was
    acceptable and conformed to every code.
I'd put together my desk and write my epic or ode
    at sunset over my suburb. How I would love my shrubs!
But all I do is listen to country (and the occasional Joni)
    and smoke. Judge me judge me
judge me. Oh I've been through the shallows.
    I shallow. I hope. I hole. I know
I wrote you the most brutal love poem that knows.

Sorcery

I’m a witch who lost all her powers, then
   in place of my powers, I got the coiled beauty
of seashells and sleeping infants. The coiled
beauty of eardrums, and the sound wave
of bells. The bells! This is the country of clouds.
       The molten body, the Floridian pinks,
       and centuries of sand dollars examining
the arcing waves. New territory
of interiority and I’m in the middle of this.
   White like a negative belt.
I am an airless thing. When I get high, I get low.
           But I’m real and airless and love you.

For Joe

Locked in the beauty of the pearl, far from frail,
         these people who claim to love us still
they don’t give up much, do they, sealed? To eradicate class—
      the looking glass of it, the complex glare: “Let me introduce
xxx, impoverished poet.” Winter let up
     like a terrible religion. In its wake, a politics came,
      profane. You were on a train
from Philly to Mass. Winter let up like bands and globes
      and globules and I could feel the trade ships
in my bloodstream, the blood that made me,
        and I wanted to kill it
       really bad like a war path. They said my poems
         were a mess. Well, if that’s the case, then, go ahead.
Strike one match and the mansion will go up in its own ash,
in its obsession with accumulation against the glint of trees.

Related Poems

We Build a Barn And Read Reader's Digest

Quick ostrich. Quick ostrich. Quick sand. Quick sand.
Quick lime. Quick grass. The white juice from celeste Aida,
and forgot-to-take-it dries up. The one

trampled by sheep (down below), Grischa and Beatrice
(up above) converse. They'd recognize each other in
a cover, a box, a jacket, a picture, in moss and trampled

dirt. At this angle of the sky
no pictures are allowed. Corpses are wrapped up like
sheaves. Dismiss the footprint. Wipe your eyes.

Stop pilfering. Grapshot gets tangled up.
I go paying visits with my lives.
Here I just romped and touched the rug

with a yellow shoulder. I don't know what a word is.
To cry out moth! when on your white towel you see 
a scorpion? El Alamein! Where is the difference?

Rommel was kissing heaven's dainty hands, and yet
from his airplane above the Sahara, my uncle
Rafko Perhauc still blew him to bits.