Into this file must go the viewing of films so that characters leave one room
and enter another in which events happen to them in the dark.
History comes to a head in the time of the disaster that structures it.
It depends on knowing that raptor and rapture share the same root.
The hawk over the cleft in the hill heading towards its prey heading towards
where the wind is taking it. Bill Evans in a nightclub I never went to.
Documentaries must be filmed in grainy black and white
and it’s best to include voice-overs to explain the inscrutable parts.
Even a nightclub is an historical event given the costumes women wore
and Lauren Bacall gambling too much and rhapsodic about him or acting the part.
I pretend to look at the hawk and it seems a good idea given the circumstances
so I make myself do it and after a time it is all I want to do all afternoon.

More by Martha Ronk

Why knowing is (& Matisse's Woman with a Hat)

Why knowing is a quality out of fashion and no one can decide to
but slips into it or ends up with a painting one has never
seen that quality of light before even before having seen it
in between pages of another book and not remembering who knows
or recognizing the questionable quality of light on her face
as she sits for a portrait and isn't allowed to move an inch
you recognize the red silk flower on her hat
and can almost place where you have seen that gray descending
through the light reversing foreground and background
as the directions escape one as the way you have to
live with anyone as she gets up finally from her chair
having written the whole of it in her head as the question
ignored for the hundredth time as a quality of knowing is
oddly resuscitated from a decade prior to this.

A blurry photograph

The tree azalea overwhelms the evening with its scent,
defining everything and the endless fields.

Walking away, suddenly, it slices off and is gone.

The visible object blurs open in front of you,
the outline of a branch folds back into itself, then clarifies—just as you turn away—

and the glass hardens into glass

as you go about taking care of things abstractedly
one thing shelved after another, as if they were already in the past,

needing nothing from you until, smashing itself on the tile floor,
the present cracks open the aftermath of itself.

Location LA

Never arriving in a city missing in locational drift
plates shifting under building facades and whipped décor,
seas rising and falling at the edge of amusements
and surf. The migrations migrating elsewhere,
monarchs lost on their way south, children coming north
in droves on their way to anywhere else.
The city of lost souls blowing in the Santa Ana winds
and people who are not us no matter who we are.
Where is she now, he asks, what ever happened to the girl
named for a saint, the one with the ankle tattoo
the one who dropped out, lost out, & only just arrived.