I cross the street and my skin falls off. Who walks to an abandoned lake? Who abandons lakes? I ask questions to evade personal statements. When you are skinless, you cannot bear to be more vulnerable. With skin, I would say I am in love with Love as in that old-time song crooners like to croon. With skin, I would wear elbow-length opera gloves of pearly satin. Protect my skin. Hide it. There is no skin like my skin. How I miss it — I miss it as I would a knitted bonnet, a pewter teaspoon to stir sugar into hot water. My great passion was my skin. The lover I loved. They don’t sell skin at Wal-Mart. And really, how could I, humanely, buy it? Would you ever give me your skin? This is a terrible world we live in. There are mistakes and batteries littering a junk drawer, where Mother would hide my house keys and Father would store his eyeballs. Do you know Puccini? Do you spill silk at the gorgeous onslaught of love, of Pinkerton’s lurking return? Butterfly had no skin either but you could not tell from the outer left balcony. As I lay in a bed of my dead skin, I dream of Butterfly and what she could have done instead: run away to this little room to lose her aching voice, to listen to the hourly ringing of bells that is really the souring birdsong of a child, skinned and laughing, a child that will never be hers.
Something in the field is working away. Root-noise. Twig-noise. Plant of weak chlorophyll, no name for it. Something in the field has mastered distance by living too close to fences. Yellow fruit, has it pit or seeds? Stalk of wither. Grass- noise fighting weed-noise. Dirt and chant. Something in the field. Coreopsis. I did not mean to say that. Yellow petal, has it wither-gift? Has it gorgeous rash? Leaf-loss and worried sprout, its bursting art. Some- thing in the. Field fallowed and cicada. I did not mean to say. Has it roar and bloom? Has it road to follow? A thistle prick, fraught burrs, such easy attachment. Stem- and stamen-noise. Can I lime- flower? Can I chamomile? Something in the field cannot.