A hand is not four fingers and a thumb. Nor is it palm and knuckles, not ligaments or the fat's yellow pillow, not tendons, star of the wristbone, meander of veins. A hand is not the thick thatch of its lines with their infinite dramas, nor what it has written, not on the page, not on the ecstatic body. Nor is the hand its meadows of holding, of shaping— not sponge of rising yeast-bread, not rotor pin's smoothness, not ink. The maple's green hands do not cup the proliferant rain. What empties itself falls into the place that is open. A hand turned upward holds only a single, transparent question. Unanswerable, humming like bees, it rises, swarms, departs.
I wake, doubt, beside you,
like a curtain half-open.
I dress doubting,
like a cup
undecided if it has been dropped.
I eat doubting,
go out to a dubious cafe with skeptical friends.
I go to sleep doubting myself,
as a herd of goats
sleep in a suddenly gone-quiet truck.
I dream you, doubt,
for what is the meaning of dreaming
if not that all we are while inside it
is transient, amorphous, in question?
Left hand and right hand,
doubt, you are in me,
throwing a basketball, guiding my knife and my fork.
Left knee and right knee,
we run for a bus,
for a meeting that surely will end before we arrive.
I would like
to grow content in you, doubt,
as a double-hung window
settles obedient into its hidden pulleys and ropes.
I doubt I can do so:
your own counterweight governs my nights and my days.
As the knob of hung lead holds steady
the open mouth of a window,
you hold me,
my kneeling before you resistant, stubborn,
offering these furious praises
I can’t help but doubt you will ever be able to hear.