Lesson Three

Nicole Callihan

The name of this technique,
he said,
is afternoon.

Then pressed his mouth
to her collarbone,

pressed his mouth
’til evening
broke the window.

More by Nicole Callihan

Fable

Our paper house sat
on the banks of the red river

and though mother
wasn’t like other mothers

I was like other girls
trapped and lonely

and painting pictures
in the stars. I was slick

with old birth or early longing,
already halfway between

who I wanted to be and who I was.
Our floors were made of flame

but there was no wind
so we were as safe as anyone.

When spring came,
I walked for a very long time

up I-35, and at the end of the road,
I found a boy who placed earphones

onto my head and pumped opera
into my body. I can feel it still.

Underneath that treeless sky,
I was as changed as I would ever be.

Not even mother noticed.   
 

The End of the Pier

I walked to the end of the pier
and threw your name into the sea,
and when you flew back to me—
a silver fish—I devoured you,
cleaned you to the bone. I was through.
But then you came back again:
as sun on water. I reached for you,
skimmed my hands over the light of you.
And when the sky darkened,
again, I thought it was over, but then,
you became water. I closed my eyes
and lay on top of you, swallowed you,
let you swallow me too. And when
you carried my body back to shore—
as I trusted that you would do—
well, then, you became shore too,
and I knew, finally, I would never be through.

Burrow

My mother says the sound haunted her.
She thought an animal had crawled under her bed
and that it was hurt. Every night for a week,
the whimpering woke her. Mornings, she reached the long hand
of the broom underneath the dust ruffle but it came out clean.
The pillow where her head had rested was wet. So wet, she said.
As if I’d been crying all night long. But then it stopped.
The animal, wherever it was, had nursed itself well. Or died.
It would be years before we found anything resembling a body.