Tchaikovsky’s Eugene Onegin is 3,592 measures.
A voice kept far from feeling is heard as measured.
What’s wanted in desperate times are desperate measures.
Pushkin’s unfinished Onegin: 5,446 lines.
No visible tears measure the pilot’s grief
as she Lidars the height of an island: five feet.
Fifty, its highest leaf.
She logs the years, the weathers, the tree has left.
A million fired-clay bones—animal, human—
set down in a field as protest
measure 400 yards long, 60 yards wide, weigh 112 tons.
The length and weight and silence of the bereft.
Bees do not question the sweetness of what sways beneath them.
One measure of distance is meters. Another is li.
Ten thousand li can be translated: “far.”
For the exiled, home can be translated “then,” translated “scar.”
of Polish vodka holds twelve pounds of potatoes.
What we care about most, we call beyond measure.
What matters most, we say counts. Height now is treasure.
On this scale of one to ten, where is eleven?
Ask all you wish, no twenty-fifth hour will be given.
Measuring mounts—like some Western bar’s mounted elk head—
our cataloged vanishing unfinished heaven.
from Ledger (Knopf 2020); first appeared in The Times Literary Supplement. Used by permission of the author, all rights reserved.