Slanting light casts onto a stucco wall the shadows of upwardly zigzagging plum branches. I can see the thinning of branches to the very twig. I have to sift what you say, what she thinks, what he believes is genetic strength, what they agree is inevitable. I have to sift this quirky and lashing stillness of form to see myself, even as I see laid out on a table for Death an assortment of pomegranates and gourds. And what if Death eats a few pomegranate seeds? Does it insure a few years of pungent spring? I see one gourd, yellow from midsection to top and zucchini-green lower down, but already the big orange gourd is gnawed black. I have no idea why the one survives the killing nights. I have to sift what you said, what I felt, what you hoped, what I knew. I have to sift death as the stark light sifts the branches of the plum.
A rabbit has stopped on the gravel driveway:
imbibing the silence,
you stare at spruce needles:
there’s no sound of a leaf blower,
no sign of a black bear;
a few weeks ago, a buck scraped his rack
against an aspen trunk;
a carpenter scribed a plank along a curved stone wall.
You only spot the rabbit’s ears and tail:
when it moves, you locate it against speckled gravel,
but when it stops, it blends in again;
the world of being is like this gravel:
you think you own a car, a house,
this blue-zigzagged shirt, but you just borrow these things.
Yesterday, you constructed an aqueduct of dreams
and stood at Gibraltar,
but you possess nothing.
Snow melts into a pool of clear water;
and, in this stillness,
starlight behind daylight wherever you gaze.