The wound on her lip goes white
before returning red.
The virus erupts the lines between chin and
lip, between lip and philtrum.
A sore across two continents of skin, a
bridge of lava.
She will feel healed when the flesh
color returns. The variation
is the aberration. Blood courses to
deliver a clot. Vessels
bouquet under the scalp or in the
womb, in places where we
heal fastest. Cells scramble
a lean-to scab, a mortar of new skin.
The body wants to draw its
seams together.
But Jesus hangs before the
convert eternally
wounded, eternally weeping
from his gashes.
How to open hers without nails or
thorns? How to measure
heartbeats without seeing blood
heave out its rhythms?
A gush slows under pressure
even as the pulse
goes on. Our lesions take air, our
infections seek sunlight. How to
resist our unwilled mechanisms to
staunch?
We push through the same tear in the
world and leave it sore.
When we come, we come open.
Pick a wound slow to bleed and
slower to seal. We cream
the scar to fade our atlas of living—what
itched its way to a silver road,
what shadow constellation of pox. The
convert counts Jesus’ wounds.
If you count both hands and both feet, all
lashes and piercings
and the forsaken cry, the number is
higher and lower than anyone’s.
