Clair de Lune

- 1873-1939

                                       I

I should like to imagine
A moonlight in which there would be no machine-guns!

For, it is possible
To come out of a trench or a hut or a tent or a church all in ruins:
To see the black perspective of long avenues
All silent.
The white strips of sky
At the sides, cut by the poplar trunks:
The white strips of sky
Above, diminishing—
The silence and blackness of the avenue
Enclosed by immensities of space
Spreading away
Over No Man’s Land….

For a minute…
For ten…
There will be no star shells
But the untroubled stars,
There will be no Very light
But the light of the quiet moon
Like a swan.
And silence….

Then, far away to the right thro’ the moonbeams
Wukka Wukka” will go the machine-guns,
And, far away to the left
Wukka Wukka
And sharply,
Wuk…Wuk… and then silence
For a space in the clear of the moon.

                                       II

I should like to imagine
A moonlight in which the machine-guns of trouble
Will be silent….

Do you remember, my dear
Long ago, on the cliffs, in the moonlight,
Looking over to Flatholme
We sat….Long ago!...
And the things that you told me…
Little things in the clear of the moon,
The little, sad things of a life….
We shall do it again
Full surely,
Sitting still, looking over a Flatholme.

Then, far away to the right
Shall sound the Machine Guns of trouble
Wukka-wukka!
And, far away to the lft, under Flatholme,
Wukka-wuk!...

I wonder, my dear, can you stick it?
As we could say: “Stick it, the Welch!”
In the dark of the moon,
Going over….

More by Ford Madox Ford

In Tenebris

All within is warm,
   Here without it's very cold,
   Now the year is grown so old
And the dead leaves swarm.

In your heart is light,
   Here without it's very dark,
   When shall I hear the lark?
When see aright?

Oh, for a moment's space!
   Draw the clinging curtains wide
   Whilst I wait and yearn outside
Let the light fall on my face.

In the Little Old Market-Place

(To the memory of A. V.)

It rains, it rains,
From gutters and drains
And gargoyles and gables:
It drips from the tables
That tell us the tolls upon grains,
Oxen, asses, sheep, turkeys and fowls
Set into the rain-soaked wall
Of the old Town Hall.

The mountains being so tall
And forcing the town on the river,
The market’s so small
That, with the wet cobbles, dark arches and all,
The owls
(For in dark rainy weather the owls fly out
Well before four), so the owls
In the gloom
Have too little room
And brush by the saint on the fountain
In veering about.

The poor saint on the fountain!
Supported by plaques of the giver
To whom we’re beholden;
His name was de Sales
And his wife’s name von Mangel.

(Now is he a saint or archangel?)
He stands on a dragon
On a ball, on a column
Gazing up at the vines on the mountain:
And his falchion is golden
And his wings are all golden.
He bears golden scales
And in spite of the coils of his dragon, without hint of alarm of invective
Looks up at the mists on the mountain.

(Now what saint or archangel
Stands winged on a dragon,
Bearing golden scales and a broad bladed sword all golden?
Alas, my knowledge
Of all the saints of the college,
Of all these glimmering, olden
Sacred and misty stories
Of angels and saints and old glories…
Is sadly defective.)
The poor saint on the fountain…

On top of his column
Gazes up sad and solemn.
But is it towards the top of the mountain
Where the spindrifty haze is
That he gazes?
Or is it into the casement
Where the girl sits sewing?
There’s no knowing.

Hear it rain!
And from eight leaden pipes in the ball he stands on
That has eight leaden and copper bands on,
There gurgle and drain
Eight driblets of water down into the basin.

And he stands on his dragon
And the girl sits sewing
High, very high in her casement
And before her are many geraniums in a parket
All growing and blowing
In box upon box
From the gables right down to the basement
With frescoes and carvings and paint…

The poor saint!
It rains and it rains,
In the market there isn’t an ox,
And in all the emplacement
For waggons there isn’t a waggon,
Not a stall for a grape or a raisin,
Not a soul in the market
Save the saint on his dragon
With the rain dribbling down in the basin,
And the maiden that sews in the casement.

They are still and alone,
Mutterseelens alone,
And the rain dribbles down from his heels and his crown,
From wet stone to wet stone.
It’s grey as at dawn,
And the owls, grey and fawn,
Call from the little town hall
With its arch in the wall,
Where the fire-hooks are stored.

From behind the flowers of her casement
That’s all gay with the carvings and paint,
The maiden gives a great yawn,
But the poor saint—
No doubt he’s as bored!
Stands still on his column
Uplifting his sword
With never the ease of a yawn
From wet dawn to wet dawn…

One Last Prayer

Let me wait, my dear,
One more day,
Let me linger near,
Let me stay.
Do not bar the gate of draw the blind
Or lock the door that yields,
Dear, be kind!

I have only you beneath the skies
To rest my eyes
From the cruel green of the fields
And the cold, white seas
And the weary hills
And the naked trees.
I have known the hundred ills
Of the hated wars.
Do not close the bars,
Or draw the blind.
I have only you beneath the stars:
Dear, be kind!