I have faith in the single glossy capsule of a butterfly egg.
I have faith in the way a wasp nest is never quiet
and never wants to be. I have faith that the pile of forty
painted turtles balanced on top of each other will not fall
as the whole messy mass makes a scrabble-run
for the creek and away from a fox’s muddy paws.
I have been thinking of you on these moonless nights—
nights so full of blue fur and needle-whiskers, I don’t dare
linger outside for long. I wonder if scientists could classify
us a binary star—something like Albireo, four-hundred
light years away. I love that this star is actually two—
one blue, one gold, circling each other, never touching—
a single star soldered and edged in two colors if you spy it
on a clear night in July. And if this evening, wherever you are,
brings you face to face with a raccoon or possum—
be careful of the teeth and all that wet bite.
During the darkest part of the night, teeth grow longer
in their mouths. And if the oleander spins you still
another way—take a turn and follow it. It will help you avoid
the spun-light sky, what singularity we might’ve become.
Exactly four different men have tried
to teach me how to play. I could never
tell the difference between a rook
or bishop, but I knew the horse meant
knight. And that made sense to me,
because a horse is night: soot-hoof
and nostril, dark as a sabled evening
with no stars, bats, or moon blooms.
It’s a night in Ohio where a man sleeps
alone one week and the next, the woman
he will eventually marry leans her body
into his for the first time, leans a kind
of faith, too—filled with white crickets
and bouquets of wild carrot. And
the months and the honeyed years
after that will make all the light
and dark squares feel like tiles
for a kitchen they can one day build
together. Every turn, every sacrificial
move—all the decoys, the castling,
the deflections—these will be both
riotous and unruly, the exact opposite
of what she thought she ever wanted
in the endgame of her days.