from The Black Maria

Aracelis Girmay

   Body of sight. Body of
   breaths. Body of trying.

Beloved, to
day you eat,
today you bathe, today
you laugh

Today you walk,
today you read,
today you paint, my love,

Today you study stars,
today you write,
today you climb the stairs,

Today you run,
today you see,
today you talk,

You cut the basil
You sweep the floor

& as you chore, touch
the ankles & hairs of your befores
who look up from their work
in the field or at the chisel
to tell you in their ways: You Live!

More by Aracelis Girmay

Consider the Hands that Write This Letter

	          after Marina Wilson

Consider the hands
that write this letter.
The left palm pressed flat against the paper,
as it has done before, over my heart,
in peace or reverence
to the sea or some beautiful thing
I saw once, felt once: snow falling
like rice flung from the giants' wedding,
or the strangest birds. & consider, then,
the right hand, & how it is a fist,
within which a sharpened utensil,
similar to the way I've held a spade,
match to the wick, the horse's reins, 
loping, the very fists
I've seen from the roads to Limay & Estelí.
For years, I have come to sit this way:
one hand open, one hand closed,
like a farmer who puts down seeds & gathers up
the food that comes from that farming.
Or, yes, it is like the way I've danced
with my left hand opened around a shoulder
& my right hand closed inside
of another hand. & how
I pray, I pray for this
to be my way: sweet
work alluded to in the body's position
to its paper:
left hand, right hand
like an open eye, an eye closed:
one hand flat against the trapdoor,
the other hand knocking, knocking.

Kingdom Animalia

When I get the call about my brother,
I'm on a stopped train leaving town
& the news packs into me—freight—
though it's him on the other end
now, saying finefine—

Forfeit my eyes, I want to turn away
from the hair on the floor of his house
& how it got there Monday,
but my one heart falls
like a sad, fat persimmon
dropped by the hand of the Turczyn's old tree.

I want to sleep. I do not want to sleep. See,

one day, not today, not now, we will be gone
from this earth where we know the gladiolas.
My brother, this noise,
some love [you] I loved
with all my brain, & breath,
will be gone; I've been told, today, to consider this
as I ride the long tracks out & dream so good

I see a plant in the window of the house
my brother shares with his love, their shoes. & there
he is, asleep in bed
with this same woman whose long skin
covers all of her bones, in a city called Oakland,
& their dreams hang above them
a little like a chandelier, & their teeth
flash in the night, oh, body.

Oh, body, be held now by whom you love.
Whole years will be spent, underneath these impossible stars,
when dirt's the only animal who will sleep with you
& touch you with
its mouth.

The Woodlice

The beauty of one sister
who loved them so
she smuggled the woodlice
into her pockets & then into
the house, after a day’s work
of digging in the yard,
& after the older ones of us
had fed her & washed,
she carried them into
the bed with her, to mother
them, so that they would have
two blankets & be warm, for
this is what she knew of love,
& the beloveds emerged one
by one from their defenses, unfolding
themselves across the bed’s white sheet
like they did over 400 years ago, carried
from that other moonlight,
accidentally, or by children, into
the ship’s dark hold, slowly
adapting to the new rooms
of cloths, then fields, & we,
the elders to that sister,
we, having seen strangers
in our house before, we, being
older, being more ugly & afraid,
we began, then, to teach her the lessons
of dirt & fear.