At the Arab American Wedding
great-uncles in tuxes played gin,
drank scotch, counted
cash by the pool
like extras from The Godfather.
Inside, aunts had long given up
the old country—
or else wrapped it,
carefully, inside grape leaves.
The black already canonical:
fedoras & hair,
olives & eyes—
stories lilting like ash at the end
of smokes. In ballroom haze we danced
dabke—clasped hands
with cousins we knew
or barely knew, arms braiding arms,
feet stepping as if into dark,
lifting & dragged
back & forth,
as if the foot were snagged
on a fit of remembering—
facing each other
we faced each other
& circled some invisible
tree our dancing made—limbs reaching—
no longer speaking
the tongue we once
held common, we grasp for branches
to keep this circle moving, forth
& back, forth & back—
stamping ourselves
into a land so far from homeland.
From Fugitive/Refuge by Philip Metres. Copyright © 2024 by Philip Metres. Reprinted with the permission of The Permissions Company, LLC, on behalf of Copper Canyon Press.