Lay these words into the dead man's grave next to the almonds and black cherries--- tiny skulls and flowering blood-drops, eyes, and Thou, O bitterness that pillows his head. Lay these words on the dead man's eyelids like eyebrights, like medieval trumpet flowers that will flourish, this time, in the shade. Let the beheaded tulips glisten with rain. Lay these words on his drowned eyelids like coins or stars, ancillary eyes. Canopy the swollen sky with sunspots while thunder addresses the ground. Syllable by syllable, clawed and handled, the words have united in grief. It is the ghostly hour of lamentation, the void's turn, mournful and absolute. Lay these words on the dead man's lips like burning tongs, a tongue of flame. A scouring eagle wheels and shrieks. Let God pray to us for this man.
The nights were long and cold and bittersweet,
And he made a song for the hell of it.
She stood by the window, a heavenly light
Who created havoc for the hell of it.
He used to fondle every skirt in sight,
Then he fell in love—that’s the hell of it.
Now there’s a courtyard with an abject knight
Yodeling his head off for the hell of it.
O poor me, my Lady, my hopeless plight!
She married a prince for the hell of it.
Honorable, unsatisfied, illicit—
Why bring it up? Just for the hell of it.
The fever spread from poet to poet
Who burned in the high-minded hell of it.
But the Untouchable had him by the throat,
And he stopped singing for the hell of it.
Love is a tower, a trance, a medieval pit.
When I lost you, I knew the hell of it.