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Always on the Train

Ruth Stone

1915 –

2011

Writing poems about writing poems
is like rolling bales of hay in Texas.
Nothing but the horizon to stop you.

But consider the railroad's edge of metal trash;
bird perches, miles of telephone wires.
What is so innocent as grazing cattle?
If you think about it, it turns into words.

Trash is so cheerful; flying up
like grasshoppers in front of the reaper.
The dust devil whirls it aloft; bronze candy wrappers,
squares of clear plastic—windows on a house of air.

Below the weedy edge in last year's mat,
red and silver beer cans.
In bits blown equally everywhere,
the gaiety of flying paper
and the black high flung patterns of flocking birds.

Ruth Stone, whose poetry collection In the Next Galaxy (Copper Canyon Press, 2002) received the National Book Award, was the recipient of the 2002 Wallace Stevens Award given by the Academy of American Poets.

About Ruth Stone

Themes

Writing

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More by this poet

Pokeberries

I started out in the Virginia mountains
with my grandma’s pansy bed
and my Aunt Maud’s dandelion wine.
We lived on greens and back-fat and biscuits.
My Aunt Maud scrubbed right through the linoleum.
My daddy was a Northerner who played drums
and chewed tobacco and gambled.
He married my mama on the rebound.

Ruth Stone

2017

Curtains

Putting up new curtains,
other windows intrude.
As though it is that first winter in Cambridge
when you and I had just moved in.
Now cold borscht alone in a bare kitchen.

What does it mean if I say this years later?

Listen, last night
I am on a crying jag
with my landlord, Mr. Tempesta.
I sneaked in two cats.
He screams, "No pets! No pets!"
I become my Aunt Virginia,
proud but weak in the head.
I remember Anna Magnani.
I throw a few books.

Ruth Stone

1987

The Cabbage

You have rented an apartment.
You come to this enclosure with physical relief,
your heavy body climbing the stairs in the dark,
the hall bulb burned out, the landlord 
of Greek extraction and possibly a fatalist.
In the apartment leaning against one wall,
your daughter's painting of a large frilled cabbage
against a dark sky with pinpoints of stars.
The eager vegetable, opening itself 
as if to eat the air, or speak in cabbage
language of the meanings within meanings;
while the points of stars hide their massive
violence in the dark upper half of the painting.
You can live with this.

Ruth Stone

2004

Poems

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Always on the Train

More by this poet

Pokeberries

Curtains

The Cabbage

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