About Foam

- 1962-

A paradoxical pleasure is both solid nor liquid that can be wet, dry, hard, soft, expansive, changeable. An intricate and hollow polymer network is energy transport at its finest, a compound structure of gas nor bubbles nor fans. Once hardened it can be tough to break. What binds. A gel for instance can envelop like an elastic skin. It can be prodded distorted pushed about, yet will bounce back and hold its shape. Under greater surface tension, it breaks into liquid starts to flow. A resilient responsive substance is mysterious, swift to morph, ever present in all that is cellular and delivers a shake-up. It supports the many invisible synthetic demands of industry-dependent living from insulants to binding agents. It has naturally assisted in the solidification of soap, the rising of bread, egg whites, and soufflés since the 17th century. The old ponce pumice stone works on hard callouses. Once exploded it can be hard as ash. The skeletal containers of dead sponges were used by Romans for brushes and combs, and for cups. Proust's memory work is foamic in a foam-lined room. A sudden foaming from the mouth for instance is the warning of miles of a thick sluggish matter heaped along coastlines, or bubbling up, obstructing the flow of vast industrial evacuation conduits. Matter turns unwelcoming, seemingly unregonisable. A persistent reactivity to events in its surroundings acts on a profound imbalance, the sign of a system being worked beyond capacity. Foams everywhere like the letter e, down to the alveolar structure.

More by Caroline Bergvall

The Not Tale (Funeral)

The great labour of appearance
served the making of the pyre.
But how
nor how
How also
how they 
shal nat be toold
shall not be told.
Nor how the gods
nor how the beestes and the birds
nor how the ground agast
Nor how the fire
first with straw
and then with drye
and then with grene
and then with gold
and then.
Now how a site is laid like this.
Nor what 
nor how
nor what she spak, nor what was her desire
Nor what jewels
when the fire
Nor how some threw their
and some their
and their
and cups full of wine and milk
and blood
into the fyr
into the fire
Nor how three times
and three times with
and three times how
and how that
Nor how
nor how
nor how
nor who
I cannot tell
nor can I say
but shortly to the point
I turn
and give my tale an end.

Related Poems

Tender Buttons [A Box]

A BOX.

A large box is handily made of what is necessary to replace any substance. Suppose an example is necessary, the plainer it is made the more reason there is for some outward recognition that there is a result.

A box is made sometimes and them to see to see to it neatly and to have the holes stopped up makes it necessary to use paper.

A custom which is necessary when a box is used and taken is that a large part of the time there are three which have different connections. The one is on the table. The two are on the table. The three are on the table. The one, one is the same length as is shown by the cover being longer. The other is different there is more cover that shows it. The other is different and that makes the corners have the same shade the eight are in singular arrangement to make four necessary.

Lax, to have corners, to be lighter than some weight, to indicate a wedding journey, to last brown and not curious, to be wealthy, cigarettes are established by length and by doubling.

Left open, to be left pounded, to be left closed, to be circulating in summer and winter, and sick color that is grey that is not dusty and red shows, to be sure cigarettes do measure an empty length sooner than a choice in color.

Winged, to be winged means that white is yellow and pieces pieces that are brown are dust color if dust is washed off, then it is choice that is to say it is fitting cigarettes sooner than paper.

An increase why is an increase idle, why is silver cloister, why is the spark brighter, if it is brighter is there any result, hardly more than ever.