Under Grand Central’s tattered vault
  —maybe half a dozen electric stars still lit—
    one saxophone blew, and a sheer black scrim

billowed over some minor constellation
  under repair. Then, on Broadway, red wings
    in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
  like those animated knives that unfold all night
    in jewelers’ windows. For sale,

glass eyes turned outward toward the rain,
  the birds lined up like the endless flowers
    and cheap gems, the makeshift tables

of secondhand magazines
  and shoes the hawkers eye
    while they shelter in the doorways of banks.

So many pockets and paper cups
  and hands reeled over the weight
    of that glittered pavement, and at 103rd

a woman reached to me across the wet roof
  of a stranger’s car and said, I’m Carlotta,
    I’m hungry. She was only asking for change,

so I don't know why I took her hand.
  The rooftops were glowing above us,
    enormous, crystalline, a second city

lit from within. That night
  a man on the downtown local stood up
    and said, My name is Ezekiel,

I am a poet, and my poem this evening is called
  fall. He stood up straight
    to recite, a child reminded of his posture

by the gravity of his text, his hands
  hidden in the pockets of his coat.
    Love is protected, he said,

the way leaves are packed in snow,
   the rubies of fall. God is protecting
    the jewel of love for us.

He didn’t ask for anything, but I gave him
  all the change left in my pocket,
    and the man beside me, impulsive, moved,

gave Ezekiel his watch.
  It wasn’t an expensive watch,
    I don’t even know if it worked,

but the poet started, then walked away
  as if so much good fortune
    must be hurried away from,

before anyone realizes it’s a mistake.
  Carlotta, her stocking cap glazed
    like feathers in the rain,

under the radiant towers, the floodlit ramparts,
  must have wondered at my impulse to touch her,
    which was like touching myself,

the way your own hand feels when you hold it
  because you want to feel contained.
    She said, You get home safe now, you hear?

In the same way Ezekiel turned back
  to the benevolent stranger.
    I will write a poem for you tomorrow,

he said. The poem I will write will go like this:
  Our ancestors are replenishing
    the jewel of love for us.

From My Alexandria, published by University of Illinois Press. Copyright © 1993 by Mark Doty. All rights reserved. Used with permission.

get there before sundown. 

feed yourself 
only with what nurtures. 

let the process of shedding 
be joyous in its eternity. 

create and call it creation. 

tell lashing out that 
it isn’t worthy of your song. 

beat the drum
instead of yourself. 

beat the drum when hands 
want to become fists. 

beat the drum to get 
beneath the surface. 

jump off the bed. 
welcome waves in the tub. 
cook as if dancing. 

be a metaphor
when literal is too much. 

cry into your journal
as if it is rising’s way. 

praise into your journal 
like you ain’t apologizing 
to no one for shine. 

claim into your journal, 
for there’s no need 
to die waiting. 

be too vibrant for lingering
on those who neglect. 

too awww 
to keep treating yourself 
so poorly. 

be more than knowing. 

in case you need encouragement, 
I’mma share 
that memory 
you tucked away, 

scared you’d be laughed at 
trying for more than 
drowning spectacularly. 

that shows you beyond 
the bad beats. 

who you were before 
that season you’ve forgotten. 

to remind 
that every victory counts
and that you’re 
one step closer today. 

From Well Played (Not a Cult, 2020) by Beau Sia. Copyright © 2020 by Beau Sia. Used with the permission of the publisher.

To sin by silence, when we should protest,
Makes cowards out of men. The human race
Has climbed on protest. Had no voice been raised
Against injustice, ignorance, and lust,
The inquisition yet would serve the law,
And guillotines decide our least disputes.
The few who dare, must speak and speak again
To right the wrongs of many. Speech, thank God,
No vested power in this great day and land
Can gag or throttle. Press and voice may cry
Loud disapproval of existing ills;
May criticise oppression and condemn
The lawlessness of wealth-protecting laws
That let the children and childbearers toil
To purchase ease for idle millionaires.

Therefore I do protest against the boast
Of independence in this mighty land.
Call no chain strong, which holds one rusted link.
Call no land free, that holds one fettered slave.
Until the manacled slim wrists of babes
Are loosed to toss in childish sport and glee,
Until the mother bears no burden, save
The precious one beneath her heart, until
God’s soil is rescued from the clutch of greed
And given back to labor, let no man
Call this the land of freedom.

This poem is in the public domain.