Cole Swensen

Cole Swensen was born in Kentfield, California, in 1955. She received her BA degree and MA from San Francisco State University and a PhD in comparative literature from the University of California, Santa Cruz.

Swensen is the author of twenty collections of poetry, including And And And (Shearsman Books, 2023), which was long-listed for the Griffin Poetry Prize; Landscapes on a Train (Nightboat Books, 2015); Gravesend (University of California Press, 2012), a finalist for the Los Angeles Times Book Prize in Poetry; The Glass Age (Alice James Books, 2007); The Book of a Hundred Hands (University of Iowa Press, 2005); Goest (Alice James Books, 2004), a finalist for the National Book Award; Such Rich Hour (University of Iowa Press, 2001); Oh (Apogee Press, 2000); Try (University of Iowa Press, 1999), winner of the Iowa Poetry Prize and winner of the San Francisco State Poetry Center Book Award; Noon (Sun & Moon Press, 1997), winner of the New American Writing Award; Numen (Burning Deck Press, 1995), a finalist for the PEN West Award in Poetry; and New Math (William Morrow & Co., 1988), winner of the National Poetry Series.

Swensen’s translations of contemporary French poetry include And the Street (Green Linden Press, 2023) by Pierre Alferi, which won the 2024 National Translation Award in Poetry; Physis (Free Verse Editions, 2007) by Nicolas Pesquès; Future, Former, Fugitive (Roof Books, 2003) by Olivier Cadiot); Bayart (Black Square Editions, 2002) by Pascalle Monnier; Island of the Dead (Green Integer Books, 2002) by Jean Frémon, which was awarded the PEN USA Award for Literary Translation; and Art Poetic (Green Integer Books, 1999) by Olivier Cadiot. With David St. John, she edited the anthology American Hybrid: A Norton Anthology of New Poetry (W. W. Norton, 2009).

About her work, poet Michael Palmer writes, “Cole Swensen attends fixedly to those minute nuances and wanderings of language whereby the poem builds its particular perceptual logic. The result might well be called a ‘new math,’ or perhaps a calculus of light, shedding new light on things immediately before the eye.”

Swensen received a fellowship from the John Simon Guggenheim Foundation in 2006 and taught at the Iowa Writers’ Workshop at the University of Iowa until 2012 when she joined the faculty of Brown University’s Literary Arts Program. She lives in Paris and the San Francisco Bay Area.