"My Brain is a Book of Celebrity Horoscopes and Snapple Cap Facts"
by Raven Halle
I read on the underneath of a Snapple lemon tea cap
that wombats subsist entirely on their own melancholy,
that their cottony bodies are just small gods living
between selves, kneeling before the same sadness that swells
their bellies like a four-course vegetable dinner
plus dessert, and I think it makes sense for a Taurus
like Jeffrey Dahmer to love lemon flavored things but not
the actual fruit, though he was one—bitter stiff boys
in a freezer better dismembered than remembered. When
I find out that Ellen Degeneres is an Aquarius I already know
her fruit of choice is the sweetness between her wife Portia’s legs,
and I treat this peach tea cap like a forecast or a fortune cookie
because I’ve been axed by a man’s landmine hands, so much
shivering that it’s still hard for me to be fucked by my girlfriend
even though her fist fits around my neck like pearls, tight
enough to leave me choking on the green tea with the cap
that reads PTSD is an acronym for the same reason BDSM is, meaning
that we nickname the truths that crack our mouths when
they’re too hard to crack using them, like the coconut tea cap
which says the Mona Lisa gained fame only after she was robbed
from the Louvre’s wall because people worshipped the sacred
blank space carved by her leaving the same way they listened
to “Back to Black” back-to-back in an attempt to fill the inky
Virgo sized Amy Winehouse shaped gap that was there only after
she wasn’t, and I wish I could tell both Amy and my mother
what I learn from the mango tea cap—that human saliva contains
a painkiller more potent than morphine—because maybe then
Amy would live and my mother wouldn’t rather have
drugs than a house in the same state as me, but the past
is a needle itching toward my skin, and I’m a chess piece
on a bored God’s board with a cathedral of ears in my lap
like an omen: Here, says the apple cap, stars are wounds stabbed
into the fabric of the universe, murmuring about mothballs
in sock drawers and flesh resurrected by a Polaroid’s slow unroll,
the war long over and the dead piled up like lonely wedding dresses.
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