The Meeting House: Lyme, Connecticut, 1666 (audio only)
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Recorded at the Chancellors Reading, Poets Forum 2015. NYU Skirball Center. New York City.
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Crows
What if to taste and see, to notice things,
to stand each is up against emptiness
for a moment or an eternity—
images collected in consciousness
like a tree alone on the horizon—
is the main reason we’re on the planet.
The food’s here of the first crow to arrive,
2016
Moonlily
(Mather AFB, California, 1956) When we play horses at recess, my name is Moonlily and I’m a yearling mare. We gallop circles around the playground, whinnying, neighing, and shaking our manes. We scrape the ground with scuffed saddle oxfords, thunder around the little kids on swings and seesaws, and around the boys’ ball games. We’re sorrel, chestnut, buckskin, pinto, gray, a herd in pastel dresses and white socks. We’re self-named, untamed, untouched, unridden. Our plains know no fences.
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Daughters, 1900
Five daughters, in the slant light on the porch, are bickering. The eldest has come home with new truths she can hardly wait to teach. She lectures them: the younger daughters search the sky, elbow each others’ ribs, and groan. Five daughters, in the slant light on the porch and blue-sprigged dresses, like a stand of birch saplings whose leaves are going yellow-brown with new truths. They can hardly wait to teach, themselves, to be called “Ma’am,” to march high-heeled across the hanging bridge to town. Five daughters.
1990