Dedicated to the Poet Agostinho Neto,
President of The People’s Republic of Angola: 1976

1
I will no longer lightly walk behind
a one of you who fear me:
                                     Be afraid.
I plan to give you reasons for your jumpy fits
and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or 
condemn me

I must become the action of my fate.

2
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number? 
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?

I must become a menace to my enemies.

3
And if I 
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
                   terrorist degree)
then let my body fail my soul
in its bedeviled lecheries

And if I 
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
                   wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.

Copyright © 2017 by the June M. Jordan Literary Estate. Used with the permission of the June M. Jordan Literary Estate, www.junejordan.com.

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.

This is not a small voice
you hear               this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river mouths.

This is not a small love
you hear               this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children,
folds them inside our history where they
toast more than the flesh
where they suck the bones of the alphabet
and spit out closed vowels.
This is a love colored with iron and lace.
This is a love initialed Black Genius.

This is not a small voice
you hear.

From Wounded in the House of a Friend. Copyright © 1995 by Sonia Sanchez. Used with the permission of Beacon Press.

I am sick of writing this poem
but bring the boy. his new name

his same old body. ordinary, black
dead thing. bring him & we will mourn
until we forget what we are mourning

& isn’t that what being black is about?
not the joy of it, but the feeling

you get when you are looking
at your child, turn your head,
then, poof, no more child.

that feeling. that’s black.

\\

think: once, a white girl

was kidnapped & that’s the Trojan war.

later, up the block, Troy got shot
& that was Tuesday. are we not worthy

of a city of ash? of 1000 ships
launched because we are missed?

always, something deserves to be burned.
it’s never the right thing now a days.

I demand a war to bring the dead boy back
no matter what his name is this time.

I at least demand a song. a song will do just fine.

\\

look at what the lord has made.
above Missouri, sweet smoke.

Copyright © 2014 by Danez Smith. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database

one is hard & the other tried to be

          one is fast & the other was faster

                    one is loud & one is a song
                    with one note & endless rest
          
                     one's whole life is a flash

        both spend their life
        trying to find a warmth to call home

both spark quite the debate,
some folks want to protect them/some think we should just get rid
                                      of the damn things all together.

Copyright © 2014 by Danez Smith. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database