What's Good, Today

never thought I
would see it here
in this Otherwhere,
no plantation in sight

no patterned pods
for the picking,
nor calloused hands
to plow & gin

an untouched December
bluff surrounded by scrubs of green
blowing along
a dust-whipped road heading south
toward no one’s harvest.

After she died, I’d catch her
stuffing my nose with pine needles and oak,
staring off into the shadows of early morning.
Me, too jetlagged for the smells a ghost leaves behind.
The tailor of histories,
my mother sewed our Black Barbies and Kens
Nigerian clothes, her mind so tight against
the stitching, that in precision, she looked mean
as hell, too. My mother’s laugh was a record skipping,
so deep she left nicks in the vinyl.
See? Even in death, she wants to be fable.
I don’t know what fathers teach sons,
but I am moving my mother
to a land where grief is no longer
gruesome. She loved top 40, yacht rock,
driving in daylight with the wind
wa-wa-ing through her cracked window
like Allah blowing breath
over the open bottle neck of our living.
She knew ninety-nine names for God,
and yet how do I remember her—
as what no god could make?

okra, pickled just the way you like it,
             in the jar on the top shelf. oranges
in the ochre clay bowl you made right there

on the counter. clove tea brewing stovetop
             & there’s an orison that my mama
taught me, metronoming ’gainst my orbital

bones. orbiting around my occipital.
             come through. let’s be each other’s oracles.
we can hold hands, craft a shrine in the gap

of our palms, in the ocean of our breaths
             at the shore of our oil-shined flesh. listen:
this is my oath to you. i’m devoted

to you, the people, my folks, my kindred—
             not to the state. & i belong with you—
not to the state. our love is ordained

by the Black ordinary & spectacle,
             our wayward waymaking. we are the more
gathered together here in our own names

calling on otherwise. serenading
             otherwheres. singing we already here—
come through

Violence thrives like violet on the vine, but I’m rare
today, with you. I came to Napa nappy-headed,
impressively unconcerned, with heft to me. Air
kisses the wine we bring to lip: I’m not wedded

to folks, I say, the way I was. Parts of me have died
with more to expire; troubled times have changed
us both. Left to silence, a question rises—if you lied
to spare me wrath turned inward. You’ve arranged

any moment of peace I’ve ever lived in: Love, it’s hard
to trust a good thing these days, harder still to be one.
Crimson colors in our stemmed glasses. Sorry-ass bard,
feeling no ounce of romance toward the world. No gun

could woo me, though. I want to be here. Need to be—
me, the half-full fool of us. I can’t imagine what you see.

^{Parchman Farm Chain Gang, Sunflower County Mississippi, 1911}

How long since my left foot has known a day
    It did not spend drug along by your right? Since the first
Rust-iron rattlers made fields of cattails kneel, fronds
    Curdling like browlines in brutal heat? I forget
My name, its sins, when I march behind you. I know nothing
    Of before. Nothing but your nape, its tributary of creases;
But your gait, pressing smooth miles of streetside weeds.
    What else can a lonesome roadboy do but look
At the one to his front: you, with keloid scars inside
    Even your ears, you with long lashes that, when blinked,
Seem heavier than these chains, all the men they carry.
    What I wouldn’t give to see your eyes open again
After that brief, merciful closing. What I don’t have
    to give. What I know, if I did, I would.