In the Shreve High football stadium,
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.
All the proud fathers are ashamed to go home.
Their women cluck like starved pullets,
Dying for love.
Therefore,
Their sons grow suicidally beautiful
At the beginning of October,
And gallop terribly against each other's bodies.
From The Branch Will Not Break by James Wright, published by Wesleyan University Press. Copyright © 1959, 1960, 1961, 1962, 1963 James Wright. Used with permission.
In the Shreve High football stadium,
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.
All the proud fathers are ashamed to go home.
Their women cluck like starved pullets,
Dying for love.
Therefore,
Their sons grow suicidally beautiful
At the beginning of October,
And gallop terribly against each other's bodies.
From The Branch Will Not Break by James Wright, published by Wesleyan University Press. Copyright © 1959, 1960, 1961, 1962, 1963 James Wright. Used with permission.
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On what would turn out to be Katie’s last good day
she asked to be wheeled outside & helped
into the Lazyboy her brother dragged out back
no one even bothering to remove the tag
from Costco that flapped, wild as a trapped bird
before the wind surrendered
to a thin cardigan of mid-December sun
as all afternoon we watched
her sleeping while the sky hemorrhaged
quietly down & the small hills of dogshit
arranged along the graying cedar fence
did not blaze into anything
like golden stones, but her hair had grown
back a half inch or so & so glowed
in the last of that tinny glare
& if I thought briefly then of medieval manuscripts
where everyone important grows a halo
it wasn't quite like that either
although the bones of her face did appear
as if at low tide to surface
smooth as driftwood where the injured
bird might light in the moonlight, holding on
for some measures longer than expected.
Copyright © 2022 by Jenny Browne. Originally published in Poem-a-Day on April 11, 2022, by the Academy of American Poets.
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together for the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I’m telling you about it
From The Collected Poems of Frank O’Hara by Frank O’Hara, copyright © 1971 by Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara, copyright renewed 1999 by Maureen O’Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved.