Out here, there’s a bowing even the trees are doing.
                 Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.

I am a hearth of spiders these days: a nest of trying.

We point out the stars that make Orion as we take out
       the trash, the rolling containers a song of suburban thunder.

It’s almost romantic as we adjust the waxy blue
       recycling bin until you say, Man, we should really learn
some new constellations.

And it’s true. We keep forgetting about Antlia, Centaurus,
       Draco, Lacerta, Hydra, Lyra, Lynx.

But mostly we’re forgetting we’re dead stars too, my mouth is full
       of dust and I wish to reclaim the rising—

to lean in the spotlight of streetlight with you, toward
       what’s larger within us, toward how we were born.

Look, we are not unspectacular things.
       We’ve come this far, survived this much. What

would happen if we decided to survive more? To love harder?

What if we stood up with our synapses and flesh and said, No.
     No, to the rising tides.

Stood for the many mute mouths of the sea, of the land?

What would happen if we used our bodies to bargain

for the safety of others, for earth,
                 if we declared a clean night, if we stopped being terrified,

if we launched our demands into the sky, made ourselves so big
people could point to us with the arrows they make in their minds,

rolling their trash bins out, after all of this is over?

From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.

Despite the morning’s gray static of rain,
we drive to Churchill Downs at 6 a.m.,
eyes still swollen shut with sleep. I say,
Remember when I used to think everything
was getting better and better? Now, I think
it’s just getting worse and worse. I know it’s not
what I’m supposed to say as we machine our
way through the silent seventy minutes on 64
over pavement still fractured from the winter’s
wreckage. I’m tired. I’ve had vertigo for five
months and on my first day home, he’s shaken
me awake to see this horse, not even race, but
work. He gives me his jacket as we face
the deluge from car to the twin spire turnstiles,
and once deep in the fern-green grandstands, I see
the crowd. A few hundred maybe, black umbrellas,
cameras, and notepads, wet-winged eager early birds
come to see this Kentucky-bred bay colt with his
chewed-off tail train to end the almost 40-year
American Triple Crown drought. A man next to us,
some horseracing heavy, ticks off a list of reasons
why this horse—his speed-laden pedigree, muscle
and bone recovery, et cetera, et cetera—could never
win the grueling mile-and-a-half Belmont Stakes.
Then, the horse with his misspelled name comes out,
first just casually cantering with his lead horse,
and next, a brief break in the storm, and he’s racing
against no one but himself and the official clocker,
monstrously fast and head down so we can see
that faded star flash on his forehead like this
is real gladness. As the horse eases up and we
close our mouths to swallow, the heavy next to us
folds his arms, says what I want to say too: I take it all back.

Copyright © 2015 Ada Limón. Originally published in the Winter 2015 issue of Prairie Schooner. Used with permission of Prairie Schooner