Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward, the Light Brigade!
Charge for the guns!" he said:
Into the valley of Death
Rode the six hundred.

"Forward, the Light Brigade!"
Was there a man dismay’d?
Not tho’ the soldier knew
Some one had blunder’d:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley’d and thunder’d;
Storm’d at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flash’d all their sabres bare,
Flash’d as they turn’d in air
Sabring the gunners there,
Charging an army, while
All the world wonder’d:
Plunged in the battery-smoke
Right thro’ the line they broke;
Cossack and Russian
Reel’d from the sabre-stroke
Shatter’d and sunder’d.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley’d and thunder’d;
Storm’d at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro’ the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder’d.
Honor the charge they made!
Honor the Light Brigade,
Noble six hundred!

                     for Greg Greger

I

Where were the neighbors? Out of town?
In my pajamas, I sat at my father's feet
in front of their squat, myopic television, 
the first in our neighborhood.

On a screen the size of a salad plate,
toy airplanes droned over quilted fields.
Bouquets of jellyfish fell: parachutes abloom,
gray toy soldiers drifting together, drifting apart— 

the way families do, but I didn't know that yet. 
I was six or seven. The tv was an aquarium: 
steely fish fell from the belly of a plane, 
then burst into flame when they hit bottom. 

A dollhouse surrendered a wall, the way such houses do. 
Furniture hung onto wallpaper for dear life. 
Down in the crumble of what had been a street, 
women tore brick from brick, filling a baby carriage. 


II

What was my young father, 
just a few years back from that war, 
looking for? The farm boy from Nebraska
he'd been before he'd seen Dachau? 

Next door, my brother and sister fought
the Battle of Bedtime, bath by bath. 
Next door, in the living room,
a two-tone cowboy lay where he fell,
too bowlegged to stand. Where was his horse?
And the Indian who'd come apart at the waist—
where were his legs to be found? 
A fireman, licorice-red from helmet to boot, 

a coil of white rope slung over his arm 
like a mint Lifesaver, tried to help. 
A few inches of ladder crawled under a cushion, 
looking for crumbs. Between the sag of couch 

and the slump of rocker, past a pickle-green soldier, 
a plastic foxhole, cocoa brown, dug itself
into the rug of no man's land 
and waited to trip my mother. 


III

Am I the oldest one here? In the theater, 
the air of expectation soured by mouse and mold— 
in the dark, a constellation of postage stamps:
the screens of cell phones glow.

And then we were in Algiers, we were in Marseille. 
On foot, we fell in behind a ragged file 
of North African infantry. Farther north 
than they'd ever been, we trudged

straight into the arms of the enemy: 
winter, 1944. Why did the French want to live in France, 
the youngest wondered while they hid, 
waiting capture by the cold. 

They relieved a dead German soldier
of greatcoat and boots. Village by muddy village,
they stole, shadow to shadow, trying to last 
until the Americans arrived— 

as if, just out of range of the lens,
the open trucks of my father's unit 
would rumble over the rutted horizon.
Good with a rifle, a farsighted farm boy

made company clerk because he'd learned to type
in high school—how young he would look, 
not half my age, and no one to tell him
he'll survive those months in Europe,

he'll be spared the Pacific by Hiroshima.
Fifty years from then, one evening, 
from the drawer where he kept 
the tv remote, next to his flint-knapping tools, 

he'd take out a small gray notebook 
and show his eldest daughter 
how, in pencil, in tiny hurried script,
he kept the names of those who died around him.

Copyright © 2010 by Debora Greger. Reprinted by permission of the author. All rights reserved.

In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie
        In Flanders fields.

Take up our quarrel with the foe: 
To you from failing hands we throw
    The torch; be yours to hold it high. 
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields.

This poem is in the public domain.