In his malodorous brain what slugs and mire,
Lanthorned in his oblique eyes, guttering burned!
His body lodged a rat where men nursed souls.
The world flashed grape-green eyes of a foiled cat
To him. 	   On fragments of an old shrunk power,
On shy and maimed, on women wrung awry,
He lay, a bullying hulk, to crush them more.
But when one, fearless, turned and clawed like bronze,
Cringing was easy to blunt these stern paws,
And he would weigh the heavier on those after.

Who rests in God's mean flattery now? Your wealth
Is but his cunning to make death more hard.
Your iron sinews take more pain in breaking.
And he has made the market for your beauty
Too poor to buy, although you die to sell.
Only that he has never heard of sleep;
And when the cats come out the rats are sly.
Here we are safe till he slinks in at dawn.

But he has gnawed a fibre from strange roots,
And in the morning some pale wonder ceases.
Things are not strange and strange things are forgetful.
Ah! if the day were arid, somehow lost
Out of us, but it is as hair of us,
And only in the hush no wind stirs it.
And in the light vague trouble lifts and breathes,
And restlessness still shadows the lost ways.
The fingers shut on voices that pass through,
Where blind farewells are taken easily . . .

Ah! this miasma of a rotting God!

This poem is in the public domain.

and there was light.
Now God says, Give them a little theatrical lighting
 
and they’re happy,
and we are. So many of us
 
dressing each morning, testing
endless combinations, becoming in our mirrors
 
more ourselves, imagining,
in an entrance, the ecstatic
 
weight of human eyes.
Now that the sun is sheering
 
toward us, what is left
but to let it close in
 
for our close-up? Let us really feel
how good it feels
 
to be still in it, making
every kind of self that can be
 
looked at. God, did you make us
to be your bright accomplices?
 
God, here are our shining spines.
Let there be no more dreams of being
 
more than a beginning.
Let it be
 
that to be is to be
backlit, and then to be only that light.

Copyright © 2018 by Mary Szybist. Originally published in Poem-a-Day on March 1, 2018, by the Academy of American Poets.

my father said, again and again, shaking his head
in disbelief at any ostentation; the neighbor’s gold-
plated knocker (we still banged fists) or my own lust
to own the seductive canvas or the waxed bronze bust.
It is not only the idea—which should hold all the pleasure—
but the poet’s pencil marks on paper which we treasure
above the memorized poem. And so I fan my flushed face,
signaling the fast-talking auctioneer, who has traced 
the provenance, and picks up the pace, multiplying offers.  
And who now does my father’s bidding? Heaven’s coffers,
perhaps, are for the destitute; but why did he have to die 
to escape the shitty crime-ridden, never-to-be-gentrified          
neighborhood of both our births? The cost of living,      
he would argue, is not the worth of being alive.
But still he checked each lottery ticket which littered             
the empty lot next door, praised their silver latex glitter,
praying to the beautiful unscratched, like little gods.  
Money talks, he taught me. But nobody beats the odds.

"More Money than God" from More Money than God, by Richard Michelson, © 2015. Reprinted by permission of the University of Pittsburgh Press.

when he knew nothing.  A leaf
looks like this, doesn’t it? No one
to ask. So came the invention
of the question too, the way all 
at heart are rhetorical, each leaf
suddenly wedded to its shade. When God 

knew nothing, it was better, wasn't it? 
Not the color blue yet, its deep 
unto black.  No color at all really, 
not yet one thing leading to another, sperm 
to egg endlessly, thus cities, thus 
the green countryside lying down 
piecemeal, the meticulous and the trash, 
between lake and woods 
the dotted swiss of towns along 
any state road. Was God

sleeping when he knew nothing?  As opposed 
to up all night (before there was night) 
or alert all day  (before day)?  As opposed to that,
little engine starting up by itself, history, 
a thing that keeps beginning
and goes past its end. Will it end, this
looking back?  From here, it's one shiny 
ravaged century after another, 
but back there, in a house or two: a stillness, 
a blue cup, a spoon, one silly flower raised up 
from seed.  I think so fondly of the day 
someone got lucky 
and dodged the tragedy meant for him. It spilled 
like sound from a faulty speaker
over an open field. He listened from
a distance. God-like, any one of us
could say.

From Grace, Fallen From by Marianne Boruch. Copyright © 2008 by Marianne Boruch. Published by Wesleyan University Press. Used by permission of the publisher. All rights reserved.