This poem is in the public domain.
Les sanglots longs
Des violons
De l’automne
Blessent mon coeur
D’une langueur
Monotone.
Tout suffocant
Et blême, quand
Sonne l’heure,
Je me souviens
Des jours anciens
Et je pleure;
Et je m’en vais
Au vent mauvais
Qui m’emporte
Deçà, delà,
Pareil à la
Feuille morte.
Autumn Song
translated by Arthur Symons
When a sighing begins
In the violins
Of the autumn-song,
My heart is drowned
In the slow sound
Languorous and long
Pale as with pain,
Breath fails me when
The hours toll deep.
My thoughts recover
The days that are over,
And I weep.
And I go
Where the winds know,
Broken and brief,
To and fro,
As the winds blow
A dead leaf.
This poem is in the public domain.
you can make the maples blaze
just by stopping to look,
you can set your clock to the barks
of geese. Somewhere the grandfathers
who own this town lean down to iron
crisp blue shirts, their faces bathing
in steam, and blackbirds
clamor in packs,
make plans behind corn.
You know this,
you were born whistling
at crackling stars, you snap
your fingers and big turtles
slide out of rivers to answer.
You can swim one more time
in the puddle of sun
in your water glass, taste icicles
already in the white crunch
of your lunch apple. Go
to sleep. I’ll put on my silver suit
and chase the sky into the moon.
Copyright © 2016 Jeffrey Bean. This poem originally appeared in The Missouri Review. Used with permission of the author.
In my Autumn garden I was fain
To mourn among my scattered roses;
Alas for that last rosebud which uncloses
To Autumn’s languid sun and rain
When all the world is on the wane!
Which has not felt the sweet constraint of June,
Nor heard the nightingale in tune.
Broad-faced asters by my garden walk,
You are but coarse compared with roses:
More choice, more dear that rosebud which uncloses,
Faint-scented, pinched, upon its stalk,
That least and last which cold winds balk;
A rose it is though least and last of all,
A rose to me though at the fall.
This poem is in the public domain.
This poem is in the public domain.
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
Written September 19, 1819; first published in 1820. This poem is in the public domain.