It was your birthday, we had drunk and dined
Half of the night with our old friend
Who'd showed us in the end
To a bed I reached in one drunk stride.
Already I lay snug,
And drowsy with the wine dozed on one side.
I dozed, I slept. My sleep broke on a hug,
Suddenly, from behind,
In which the full lengths of our bodies pressed:
Your instep to my heel,
My shoulder-blades against your chest.
It was not sex, but I could feel
The whole strength of your body set,
Or braced, to mine,
And locking me to you
As if we were still twenty-two
When our grand passion had not yet
My quick sleep had deleted all
Of intervening time and place.
I only knew
The stay of your secure firm dry embrace.
From Selected Poems by Thom Gunn. Copyright © 2009 by Thom Gunn. Used by permission of Farrar, Straus and Giroux, LLC, www.fsgbooks.com. All rights reserved.
Cell by cell the baby made herself, the cells
Made cells. That is to say
The baby is made largely of milk. Lying in her father’s arms, the little seed eyes
Moving, trying to see, smiling for us
To see, she will make a household
To her need of these rooms—Sara, little seed,
Little violent, diligent seed. Come let us look at the world
Glittering: this seed will speak,
Max, words! There will be no other words in the world
But those our children speak. What will she make of a world
Do you suppose, Max, of which she is made.
“Sara in Her Father’s Arms” by George Oppen, from NEW COLLECTED POEMS, copyright © 1962 by George Oppen. Reprinted by permission of New Directions Publishing Corp.
The world begins at a kitchen table. No matter what, we must eat to live.
The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.
We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.
It is here that children are given instructions on what it means to be human. We make men at it, we make women.
At this table we gossip, recall enemies and the ghosts of lovers.
Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.
This table has been a house in the rain, an umbrella in the sun.
Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.
We have given birth on this table, and have prepared our parents for burial here.
At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.
Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.
From The Woman Who Fell From the Sky (W. W. Norton, 1994) by Joy Harjo. Copyright © 1994 by Joy Harjo. Used with permission of the author.
“Because it is so dense, scientists calculate the carbon must be crystalline, so a large part of this strange world will effectively be diamond.”
Like the universe’s largest engagement ring, it twirls
and sparkles its way through infinity.
The citizens of the new world know about luxury.
They can live for a thousand years.
Their hearts are little clocks
with silver pendulums pulsing inside,
Eyes like onyx, teeth like pearl.
But it’s not always easy. They know hunger.
They starve. A field made of diamond
is impossible to plow; shovels crumble and fold
like paper animals. So frequent is famine,
that when two people get married,
one gives the other a locket filled with dirt.
That’s the rare thing, the treasured thing, there.
It takes decades to save for,
but the ground beneath them glows,
and people find a way.
On Earth, when my wife is sleeping,
I like to look out at the sky.
I like to watch TV shows about supernovas,
and contemplate things that are endless
like the heavens and, maybe, love.
I can drink coffee and eat apples whenever I want.
Things grow everywhere, and so much is possible,
but on the news tonight: a debate about who
can love each other forever and who cannot.
There was a time when it would’ve been illegal
for my wife to be my wife. Her skin,
my household of privilege. Sometimes,
I wish I could move to another planet.
Sometimes, I wonder what worlds are out there.
I turn off the TV because the news rarely makes
the right decision on its own. But even as the room
goes blacker than the gaps between galaxies,
I can hear the echoes: who is allowed to hold
the ones they wish to hold, who can reach
into the night, who can press his or her
own ear against another’s chest and listen
to a heartbeat telling stories in the dark.
Matthew Olzmann, “Astronomers Locate a New Planet” from Contradictions in the Design. Copyright © 2016 by Matthew Olzmann. Used with the permission of Alice James Books, www.alicejamesbooks.org.
The periodic pleasure
of small happenings
is upon us—
behind the stalls
at the farmer’s market
snow glinting in heaps,
a cardinal its chest
puffed out, bloodshod
above the piles of awnings,
you picking up a sweet potato
turning to me ‘This too?’—
query of tenderness
under the blown red wing.
Remember the brazen world?
Let’s find a room
with a window onto elms
strung with sunlight,
a cafe with polished cups,
darling coffee they call it,
may our bed be stoked
with fresh cut rosemary
and glinting thyme,
all herbs in due season
tucked under wild sheets:
fit for the conjugation of joy.
Copyright © 2015 by Meena Alexander. Originally published in Poem-a-Day on September 15, 2015, by the Academy of American Poets.