You are standing in the minefield again.
Someone who is dead now
told you it is where you will learn
to dance. Snow on your lips like a salted
cut, you leap between your deaths, black as god’s
periods. Your arms cleaving little wounds
in the wind. You are something made. Then made
to survive, which means you are somebody’s
son. Which means if you open your eyes, you’ll be back
in that house, beneath a blanket printed with yellow sailboats.
Your mother’s boyfriend, his bald head ringed with red
hair, like a planet on fire, kneeling
by your bed again. Air of whiskey & crushed
Oreos. Snow falling through the window: ash returned
from a failed fable. His spilled-ink hand
on your chest. & you keep dancing inside the minefield—
motionless. The curtains fluttering. Honeyed light
beneath the door. His breath. His wet blue face: earth
spinning in no one’s orbit. & you want someone to say Hey…Hey
I think your dancing is gorgeous. A little waltz to die for,
darling. You want someone to say all this
is long ago. That one night, very soon, you’ll pack a bag
with your favorite paperback & your mother’s .45,
that the surest shelter was always the thoughts
above your head. That it’s fair—it has to be—
how our hands hurt us, then give us
the world. How you can love the world
until there’s nothing left to love
but yourself. Then you can stop.
Then you can walk away—back into the fog
-walled minefield, where the vein in your neck adores you
to zero. You can walk away. You can be nothing
& still breathing. Believe me.
Copyright © 2015 by Ocean Vuong. Originally published in Poem-a-Day on September 2, 2015, by the Academy of American Poets
all I crave is light & yet
winter
sky is busy imitating milk
frozen in an upturned bowl
to be a person is a sounding
through,
host of breath
rehoused & rib scribbled inside
you there above
the page
casting your gaze over us
wanting us to be your mouth
& what would you say
with my body
bowed to bear the weight
of a line so taut it sings
Copyright © 2021 by Philip Metres. Originally published in Poem-a-Day on December 15, 2021, by the Academy of American Poets.
What things are steadfast? Not the birds. Not the bride and groom who hurry in their brevity to reach one another. The stars do not blow away as we do. The heavenly things ignite and freeze. But not as my hair falls before you. Fragile and momentary, we continue. Fearing madness in all things huge and their requiring. Managing as thin light on water. Managing only greetings and farewells. We love a little, as the mice huddle, as the goat leans against my hand. As the lovers quickening, riding time. Making safety in the moment. This touching home goes far. This fishing in the air.
From All of It Singing. Copyright © 2008 by Linda Gregg. Used with permission of Graywolf Press.
To be a good
ex/current friend for R. To be one last
inspired way to get back at R. To be relationship
advice for L. To be advice
for my mother. To be a more comfortable
hospital bed for my mother. To be
no more hospital beds. To be, in my spare time,
America for my uncle, who wants to be China
for me. To be a country of trafficless roads
& a sports car for my aunt, who likes to go
fast. To be a cyclone
of laughter when my parents say
their new coworker is like that, they can tell
because he wears pink socks, see, you don’t, so you can’t,
can’t be one of them. To be the one
my parents raised me to be—
a season from the planet
of planet-sized storms.
To be a backpack of PB&J & every
thing I know, for my brothers, who are becoming
their own storms. To be, for me, nobody,
homebody, body in bed watching TV. To go 2D
& be a painting, an amateur’s hilltop & stars,
simple decoration for the new apartment
with you. To be close, J.,
to everything that is close to you—
blue blanket, red cup, green shoes
with pink laces.
To be the blue & the red.
The green, the hot pink.
From When I Grow Up I Want to Be a List of Further Possibilities. Copyright © 2016 by Chen Chen. Used by permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., www.boaeditions.org.