I had no thought of violets of late,
The wild, shy kind that spring beneath your feet
In wistful April days, when lovers mate
And wander through the fields in raptures sweet.
The thought of violets meant florists’ shops,
And bows and pins, and perfumed papers fine;
And garish lights, and mincing little fops
And cabarets and songs, and deadening wine. 
So far from sweet real things my thoughts had strayed, 
I had forgot wide fields, and clear brown streams
The perfect loveliness that God has made,—
Wild violets shy and Heaven-mounting dreams.
And now—unwittingly, you’ve made me dream
Of violets, and my soul’s forgotten gleam.

This poem is in the public domain. Published in Poem-a-Day on September 6, 2015, by the Academy of American Poets.

Orange gleams athwart a crimson soul
Lambent flames; purple passion lurks
In your dusk eyes.
Red mouth; flower soft,
Your soul leaps up—and flashes
Star-like, white, flame-hot.
Curving arms, encircling a world of love,
You! Stirring the depths of passionate desire!

This poem is in the public domain.

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

This poem is in the public domain.

          III

Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and

without breaking anything.

Copyright 1923, 1925, 1951, 1953, © 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976 by George J. Firmage. From The Complete Poems: 1904-1962 by E. E. Cummings, Edited by George J. Firmage. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.

            but i wondered what i would talk about      because
 here in southern california youre never really sure when
spring begins      i mean the experience of spring      the
 vernal equinox is one thing      but spring is something else
      and ive been living out here twenty years and i cant
 always tell when its spring
                                    my guess is it comes on some time
 in late february      and you hardly notice it      a few branch
  ends turn yellow a few wildflowers begin to sprout an 
occasionally different bird appears      and you figure it
 might as well be spring

            now thats a little different from springs i
 remember where i came from      in the east when its spring
      boy are you ready for it      if you lived in new york
 city or upstate new york about 130 miles north of the city
      the way you'd know spring was coming was that around the
end of march you'd hear rolls of thunder or cannonades that
  would mean the ice was breaking on the river you'd say gee
it must be spring the ice is breaking on the river      and it
 was like a series of deep distant drum rolls
  brrrrrrrrrrmbrrrrrrrrrrrm      and you didn't feel much
better about it      because the sky was still gray and cold
 and the trees were still bare

            in fact you felt better in january because the snow
seemed to keep you warm especially when the temperature got
 down around zero and the snow was piled up around the house
and along the roadside      because after every snow the snow
  ploughs would clear out the road and pile up the snow along
 the roadside into a wall from six to ten feet high that
 would shield the houses from the wind and you'd shovel out a 
pathway to the street      but inside it was warm      and pretty
  much everybody in this little town of north branch felt
 insulated and warm and pretty good in january as long as the
  heating fuel held out      and they didn't feel too bad in
february either

            but when the spring came      in march      and you
 heard the dull cannonade on the river      thats when you
started to feel bad      because it had been so cold and bare
 and gray      and you had been holding out so long for the
wild mustard and the goldfinches      and maybe the coming of
 the quince      that the sound coming off the river      that
  seemed to promise an entry into the land of the hearts
 desire      which you knew would take another month at least
      made you feel real bad

            so thats why when the spring came to north branch at
the end of march      it seemed that every year two people would
 hang themselves off their back porch      because they couldn't
  wait anymore

      but there was the other side of spring and you
expected great things of it      because you had read all those
 marvelous sweet and jingling poems by those provençal
bullshitters waiting for spring to come so they could go out
 into the fields and fuck and kill people      brash and noise
poems that went on as i remember something like "oh spring is
 here the birds are singing lets go out and fight some
  battles and make it in the grass" in a cheerful jingling and
 very overrated way
                             that my friend paul blackburn did the best
 he could with      which was to bury the jingle and jazz up the
noise a bit      to make them sound a little bit like ezra
 pound and a little bit like paul doing an east village macho
  number      and a lot better than they sound to my ears in
 provençal      and with poetic generosity he covered up the
banality of their vocabulary and their tedious ideas if you
 could call their attitudes ideas and it all sounded so
cheerful that we thought it must have been a good idea to sit
 in toulouse and welcome the spring

            but dont you believe it      toulouse is a dreadful
place and nobody wants to be there      everyone in toulouse
 would rather be in paris      so if you have a choice about
the spring you dont want to spend it in toulouse
                                                             paul actually 
 lived there for a while      and he was always running off to
paris or mallorca or to spain

            but wherever you are you are likely to have this
idea of what it means for spring to come      and you know how
 it will come and when it will come      because in your
expectations it always comes      in a neat order the way
  seasons do      because there are exactly four of them and
they are very nicely named and there are exactly three months
 in them and they very obediently follow the astronomical year

From what it means to be avant-garde. Copyright © 1993 by David Antin. Reprinted with permission of New Directions Publishing Corporation.