Welcome, all hail to thee!
     Welcome, young Spring!
Thy sun-ray is bright
     On the butterfly’s wing.
Beauty shines forth
     In the blossom-robed trees;
Perfume floats by
     On the soft southern breeze.

Music, sweet music,
     Sounds over the earth;
One glad choral song
     Greets the primrose’s birth;
The lark soars above,
     With its shrill matin strain;
The shepherd boy tunes
     His reed pipe on the plain.

Music, sweet music,
     Cheers meadow and lea;—
In the song of the blackbird,
     The hum of the bee;
The loud happy laughter
     Of children at play
Proclaim how they worship
     Spring’s beautiful day.

The eye of the hale one,
     With joy in its gleam,
Looks up in the noontide,
     And steals from the beam;
But the cheek of the pale one
     Is mark’d with despair,
To feel itself fading,
     When all is so fair.

The hedges, luxuriant
     With flowers and balm,
Are purple with violets,
     And shaded with palm;
The zephyr-kiss’d grass
     Is beginning to wave;
Fresh verdure is decking
     The garden and grave.

Welcome! all hail to thee,
     Heart-stirring May!
Thou hast won from my wild harp
     A rapturous lay.
And the last dying murmur
     That sleeps on the string
Is welcome! All hail to thee,
     Welcome, young Spring!

This poem appeared in Melaia and Other Poems (Charles Tilt, 1840). It is in the public domain.

Thou gaily painted butterfly, exquisite thing, 
    A child of light and blending rainbow hues,
In loveliness a Psyche of the Spring,
   Companion for the rose and diamond dews;
'Tis thine, in sportive joy, from hour to hour, 
    To ride the breeze from flower to flower.

But thou wast once a worm of hueless dye.
   Now, seeing thee, gay thing, afloat in bliss,
I take new hope in thoughts of bye and bye,
   When I, as thou, have shed my chrysalis.
I dream now of eternal springs of light
   In which, as thou, I too may have my flight. 

This poem is in the public domain. 

The Spring comes in with all her hues and smells,
In freshness breathing over hills and dells;
O’er woods where May her gorgeous drapery flings,
And meads washed fragrant by their laughing springs.
Fresh are new opened flowers, untouched and free
From the bold rifling of the amorous bee.
The happy time of singing birds is come,
And Love’s lone pilgrimage now finds a home;
Among the mossy oaks now coos the dove,
And the hoarse crow finds softer notes for love.
The foxes play around their dens, and bark
In joy’s excess, ’mid woodland shadows dark.
The flowers join lips below; the leaves above;
And every sound that meets the ear is Love.

From The Rural Muse: Poems (Whittaker & Co., 1835) by John Clare. This poem is in the public domain. 

The birds were louder this morning,
raucous, oblivious, tweeting their teensy bird-brains out.
It scared me, until I remembered it’s Spring.
How do they know it? A stupid question.
Thank you, birdies. I had forgotten how promise feels.

Copyright © 2015 by Michael Ryan. Originally published in Poem-a-Day on May 4, 2015, by the Academy of American Poets.

A ruby crocus near the porch sends up
hope—winter of sorrow is waning
the dire moon of almost-spring rises
full with promise of renewal,
shaming twinkling city lights in its splendor.

I search for my faith, wonder where
I lost it, find it in deep cinnamon
mud smushing up between my toes.
Across a spent field, a lake in shadow
serenades curvature of earth.
As if on cue, a comet streaks
across somber roiling river of sky.

Originally published in Oklahoma Humanities Magazine. Copyright © 2017 by Jeanetta Calhoun Mish. Used with the permission of the author.