This is not a small voice
you hear               this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river mouths.

This is not a small love
you hear               this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children,
folds them inside our history where they
toast more than the flesh
where they suck the bones of the alphabet
and spit out closed vowels.
This is a love colored with iron and lace.
This is a love initialed Black Genius.

This is not a small voice
you hear.

From Wounded in the House of a Friend. Copyright © 1995 by Sonia Sanchez. Used with the permission of Beacon Press.

Ladies and gentlemen, ghosts and children of the state,
I am here because I could never get the hang of Time.
This hour, for example, would be like all the others
were it not for the rain falling through the roof.
I’d better not be too explicit. My night is careless
with itself, troublesome as a woman wearing no bra
in winter. I believe everything is a metaphor for sex.
Lovemaking mimics the act of departure, moonlight
drips from the leaves. You can spend your whole life
doing no more than preparing for life and thinking.
"Is this all there is?" Thus, I am here where poets come
to drink a dark strong poison with tiny shards of ice,
something to loosen my primate tongue and its syllables
of debris. I know all words come from preexisting words
and divide until our pronouncements develop selves.
The small dog barking at the darkness has something to say
about the way we live. I’d rather have what my daddy calls
“skrimp.” He says “discrete” and means the street
just out of sight. Not what you see, but what you perceive:
that’s poetry. Not the noise, but its rhythm; an arrangement
of derangements; I’ll eat you to live: that’s poetry.
I wish I glowed like a brown-skinned pregnant woman.
I wish I could weep the way my teacher did as he read us
Molly Bloom’s soliloquy of yes. When I kiss my wife,
sometimes I taste her caution. But let’s not talk about that.
Maybe Art’s only purpose is to preserve the Self.
Sometimes I play a game in which my primitive craft fires
upon an alien ship whose intention is the destruction
of the earth. Other times I fall in love with a word
like somberness. Or moonlight juicing naked branches.
All species have a notion of emptiness, and yet
the flowers don’t quit opening. I am carrying the whimper
you can hear when the mouth is collapsed, the wisdom
of monkeys. Ask a glass of water why it pities
the rain. Ask the lunatic yard dog why it tolerates the leash.
Brothers and sisters, when you spend your nights
out on a limb, there’s a chance you’ll fall in your sleep.

From Lighthead by Terrance Hayes. Copyright © 2010 by Terrance Hayes. Used by permission of Penguin. All rights reserved.

If you subtract the minor losses,
you can return to your childhood too:
the blackboard chalked with crosses,

the math teacher's toe ring. You
can be the black boy not even the buck-
toothed girls took a liking to:

the match box, these bones in their funk
machine, this thumb worn smooth
as the belly of a shovel. Thump. Thump.

Thump. Everything I hold takes root.
I remember what the world was like before
I heard the tide humping the shore smooth,

and the lyrics asking: How long has your door
been closed?
I remember a garter belt wrung
like a snake around a thigh in the shadows

of a wedding gown before it was flung
out into the bluest part of the night.
Suppose you were nothing but a song

in a busted speaker? Suppose you had to wipe
sweat from the brow of a righteous woman,
but all you owned was a dirty rag? That's why

the blues will never go out of fashion:
their half rotten aroma, their bloodshot octaves of
consequence; that's why when they call, Boy, you're in

trouble. Especially if you love as I love
falling to the earth. Especially if you're a little bit
high strung and a little bit gutted balloon. I love

watching the sky regret nothing but its
self, though only my lover knows it to be so,
and only after watching me sit

and stare off past Heaven. I love the word No
for its prudence, but I love the romantic
who submits finally to sex in a burning row-

house more. That's why nothing's more romantic
than working your teeth through
the muscle. Nothing's more romantic

than the way good love can take leave of you.
That's why I'm so doggone lonesome, Baby,
yes, I'm lonesome and I'm blue.

From Wind in a Box. Penguin Books, a division of Penguin Group (USA) Inc.