The library is dangerous—
Don’t go in. If you do

You know what will happen.
It’s like a pet store or a bakery—

Every single time you’ll come out of there
Holding something in your arms.

Those novels with their big eyes.
And those no-nonsense, all muscle

Greyhounds and Dobermans,
All non-fiction and business,

Cuddly when they’re young,
But then the first page is turned.

The doughnut scent of it all, knowledge,
The aroma of coffee being made

In all those books, something for everyone,
The deli offerings of civilization itself.

The library is the book of books,
Its concrete and wood and glass covers

Keeping within them the very big,
Very long story of everything.

The library is dangerous, full
Of answers. If you go inside,

You may not come out
The same person who went in.

Copyright © 2017 by Alberto Ríos. Used with the permission of the author.

MEET KIRSTEN. Wears milkmaid braids to conserve her swedish past. Relinquished herself to assimilation at 8 after saying bye to her bff Singing Bird, whose tribe was forced off their land. “1854 was a wild year for me, guys. Cancel culture is real, but how could I disown my family for the racist things they say? How could I even point out that the things they say are racist? Like, how could I even say ‘Can you consider the words coming out of your mouth & never say them again?’” 

MEET MOLLY. Buys baguettes on mondays and wears a beret literally everywhere. Obsessed with hollywood films and harsh realities. Surprisingly patriotic despite her love of all things british, especially plaid. An expert on taking up space. When the trainer asks if anyone can define discrimination, she pulls out a legal pad “I can’t even tell you how many times I’ve been discriminated against because I’m a woman. I write literally every instance down as proof. Exactly how many hours do we have?”

MEET SAMANTHA. 25-year-old well-meaning rule lover who enjoys progress and satin. Would like to be a painter or possibly the president of the united states of america. Out of the two AMA questions received before the training, both came from her. One for each black person she’s ever talked to in her life. “1) This is more of a comment than anything, but I don’t understand why I can’t be curious about Addy’s hair 2) Remind me again, what’s the difference between equality and equity?”

MEET FELICITY. Wears wide brim hats for horse races and can stitch the shit out of anything. Makes a mean southern sweet tea just like her mommy used to in the old virginia colony. When the diversity trainer asks if anyone can recall a time in their lives when they’ve been racist, she has a hard time pinning down just one time. “Sure I could, but I’d rather focus on rescuing horses from alopecia than spend a few hours at this dumb-ass training. Honestly, who has the time for any of this?”

MEET ADDY. Just look at all these dolls crying, complaining and getting paid for it all. Meanwhile hot girl summer came and left and I’m still stuck here performing history. Imma just slap the next bitch who tries to buy me. The scholars who brought me to life built the best american story but forgot two key facts. 1) I’m tired of being sold  2) less than half the people who buy me actually listen. But if I raised my hand right now & asked “Do I really need to be here?” you think my boss would just let me leave? 

Copyright © 2020 by Kortney Morrow. Originally published in Poem-a-Day on August 10, 2020, by the Academy of American Poets.

                                     r-p-o-p-h-e-s-s-a-g-r
                           who
  a)s w(e loo)k
  upnowgath
                       PPEGORHRASS
                                                       eringint(o-
  aThe):l
               eA
                    !p:
S                                                                        a
                                      (r
  rIvInG                              .gRrEaPsPhOs)
                                                                         to
  rea(be)rran(com)gi(e)ngly
  ,grasshopper;

From Complete Poems: 1904-1962 by E. E. Cummings, edited by George J. Firmage. Used with the permission of Liveright Publishing Corporation. Copyright © 1923, 1931, 1935, 1940, 1951, 1959, 1963, 1968, 1991 by the Trustees for the E. E. Cummings Trust. Copyright © 1976, 1978, 1979 by George James Firmage.

1. Because pockets are not a natural right.
2. Because the great majority of women do not want pockets. If they did they would have them.
3. Because whenever women have had pockets they have not used them.
4. Because women are required to carry enough things as it is, without the additional burden of pockets.
5. Because it would make dissension between husband and wife as to whose pockets were to be filled.
6. Because it would destroy man’s chivalry toward woman, if he did not have to carry all her things in his pockets.
7. Because men are men, and women are women. We must not fly in the face of nature.
8. Because pockets have been used by men to carry tobacco, pipes, whiskey flasks, chewing gum and compromising letters. We see no reason to suppose that women would use them more wisely.

This poem is in the public domain.