Gaza has become a funeral home, 
but there are no seats, 
no mourners, no bodies. 
In the caskets are nothing but 
what remained of the dead’s clothes, 
and on the crumbling walls are clocks 
that have not moved for fourteen months.

Copyright © 2025 by Mosab Abu Toha. Published by permission of the author.

Four tickets left, I let her go—
Firstborn into a hurricane.

I thought she escaped
The floodwaters. No—but her

Head is empty of the drowned
For now—though she took

Her first breath below sea level.
Ahhh       awe       &       aw
Mama, let me go—she speaks

What every smart child knows—
To get grown you unlatch

Your hands from the grown
& up & up & up & up
She turns—latched in the seat

Of a hurricane. You let
Your girl what? You let

Your girl what?
I did so she do I did
so she do so—

Girl, you can ride
A hurricane & she do
& she do & she do & she do

She do make my river
An ocean. Memorial,
Baptist, Protestant birth—my girl

Walked away from a hurricane.
& she do & she do & she do & she do
She do take my hand a while longer.

The haunts in my pocket
I’ll keep to a hum: Katrina was
a woman I knew. When you were

an infant she rained on you & she

do & she do & she do & she do

From Hemming the Water. Copyright © 2013 by Yona Harvey. Used with the permission of The Permissions Company, Inc. on behalf of Four Way Books, www.fourwaybooks.com.

To every thing there is a season,

and a time to every purpose under the heaven:

A time to be born, a time to die;

a time to plant, and a time to pluck up that which is planted;

A time to kill, and a time to heal;

a time to break down, and a time to build up;

A time to weep, and a time to laugh;

a time to mourn, and a time to dance;

A time to cast away stones, and a time to gather stones together;

a time to embrace, and a time to refrain from embracing;

A time to get, and a time to lose;

a time to keep, and a time to cast away;

A time to rend, and a time to sew;

a time to keep silence, and a time to speak;

A time to love, and a time to hate;

A time of war, and a time of peace.

This poem is in the public domain.

You are enough

Divinity flows in your fingertips
        with light so radiant
        every beat of your heart
a victory march
made of whole universes
        stitched by the hands of creation
        with flawless design
a prophecy You fulfill perfectly with every breath

        You

The sun wouldn’t shine the same without it
Creation is only waiting for You
                to smile back at it

Do you see it yet?

You are enough
        For the birds to sing about
        For the seeds to sprout about
        For the stars to shoot about

        Do you see it yet?

        Gardens in your speech
Fields of wildflowers in your prayers
        Lighthouses in your eyes
    No one else can see it for you

You have always been enough
You will always be enough

Your simple act of being is enough

            Do you see it yet?

Copyright © 2022 by Andru Defeye. Sacramento Poetry Center Anthology (2022). Used with permission of the poet. 

In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can't see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

including the body I had then,
including the body I have now
as I sit at this morning table, alone and happy,

bare child's feet on the scorched floorboards
(I can almost see)
in my burning clothes, the thin green shorts

and grubby yellow T-shirt
holding my cindery, non-existent,
radiant flesh. Incandescent.

From Morning in the Burned House by Margaret Atwood. Copyright © 1995 by Margaret Atwood. Published in the United States by Houghton Mifflin Co., published in Canada by McClelland and Stewart, Inc. All rights reserved.

Here a thousand birds dispute
The gun going off
the random back fire
who handled who
and who rose to be recognized
and how the body came to be fresh
fallen there
and why the girl was tacked
and how her wrists looked slight in hand cuffs
and the exact nature of the orange pin
and the load glassing her eyes
the load incalculable and
the incalculable load.

Here a thousand birds dispute
the fresh blood on the sidewalk
the battle line, how it was drawn
how the sides were chosen
had there been a trial
Or any doubt and if so
how it was framed
did the shot hang in the air and who
was there to hear it, and here
Hold this thought—4 are shot per day

As xenon follows its element
Or night its day time shadow
As penumbra fades into solids
and endures a rain of blows
—there falls a reign of blows

Here a thousand birds dispute
What went wrong
the stopped clock
the orange pin
the random call

the fall from childhood
the fall, the incalculable fall,
the fall incalculable

this time to not let the familiar
obsequies masking obscenity
twist lips, the birds dispute

these too, the televised worship of cinders is riveting
junk heartache abetted by hollow gestures

The birds’ disputations grow louder
frantic against glass
stunned splintered and hushed,
in shadowy, honeyed innocence

The gun going off
The random back fire…..
appears as random as asking
who’s got the gun
who owns the gun
who sold the gun
who pulls the gun
and who does the gun let sleep.

From Jump the Clock: New and Selected Poems (Nightboat Books, 2020). Copyright © 2020 by Erica Hunt. Used with the permission of the poet.

Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.

Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.

To thrust all that life under your tongue!--
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.

From The Complete Poems by Anne Sexton, published by Houghton Mifflin Company. Copyright © 1981 by Linda Gray Sexton. Used with permission.

It’s dusk on a Tuesday in June. A hot wind

       bears down and east. In my room, a stranger’s

hairclip lies like a gilded insect beside the sink.

       Hours later, it’s still dusk; it will be dusk all night.

Last month, I cut the masking tape from a box my mother left

       my sister and me. On the lid, she wrote, Life is hard, not

unbeatable. If I can do it, darlings, so can you. 2 am. A rosy dark

       dusting the window, the heat a ladder into sleep.

Copyright © 2019 by Chloe Honum. Originally published in Poem-a-Day on May 15, 2019, by the Academy of American Poets