It was like this:
you were happy, then you were sad,
then happy again, then not.

It went on.
You were innocent or you were guilty.
Actions were taken, or not.

At times you spoke, at other times you were silent.
Mostly, it seems you were silent—what could you say?

Now it is almost over.

Like a lover, your life bends down and kisses your life.

It does this not in forgiveness—
between you, there is nothing to forgive—
but with the simple nod of a baker at the moment
he sees the bread is finished with transformation.

Eating, too, is a thing now only for others.

It doesn’t matter what they will make of you
or your days: they will be wrong,
they will miss the wrong woman, miss the wrong man,
all the stories they tell will be tales of their own invention.

Your story was this: you were happy, then you were sad,
you slept, you awakened.
Sometimes you ate roasted chestnuts, sometimes persimmons.

—2002

Originally published in After (HarperCollins, 2006); all rights reserved. Copyright © by Jane Hirshfield. Reprinted with the permission of the author.

I follow it, the snail of thought
I leave the track, turn off this trail
I crouch in shadows, under ferns
I refuse to answer every bird
I see the liquid glister in its shell
I taste the wind
I smell the smoke of fire in the woods
I hear the crackle of a thousand thorns
I feel the temperature rising
I consider every option valid
I attend each phase
I crumble into wet, black ground
I lose my place in sand and gravel
I listen for the clash of weeds
I wonder where the snail will go today

From New and Collected Poems: 1975-2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.

My life was the size of my life.
Its rooms were room-sized,
its soul was the size of a soul.
In its background, mitochondria hummed,
above it sun, clouds, snow,
the transit of stars and planets.
It rode elevators, bullet trains,
various airplanes, a donkey.
It wore socks, shirts, its own ears and nose.
It ate, it slept, it opened
and closed its hands, its windows.
Others, I know, had lives larger.
Others, I know, had lives shorter.
The depth of lives, too, is different.
There were times my life and I made jokes together.
There were times we made bread.
Once, I grew moody and distant.
I told my life I would like some time,
I would like to try seeing others.
In a week, my empty suitcase and I returned.
I was hungry, then, and my life,
my life, too, was hungry, we could not keep
our hands off       our clothes on   
our tongues from

—2012

Originally published in The Beauty (Knopf, 2015); all rights reserved. Copyright © by Jane Hirshfield. Used by permission of the author, all rights reserved.

Taking a photo of you taking a photo of me, I see
the black snout of the camera framed by hair, where

your face should be. I see your arms and one hand
on the shutter button, the hedge behind you and

beyond, below, overexposed water and sky wiped white.
Some flecks out of focus are supposed to be boats.

Your back toward what light is left, you’re not
recognizable except by those cutoff jeans that I

gave you by shooting from above, forgetting your
legs. So, if I didn’t know, I wouldn’t know who

you are, you know. I do know who, but you, you know,
could be anybody. My mistake. It was because I

wanted to trip the shutter at the exact moment you
did. I did when you did, and you did when I did.

I can’t wait to see yours of me. It’s got to be
even more awful. A face, facing the light, pulled up

into a squint behind the lens, which must reflect
the muggy setting sun. Some sort of fright mask

or Mardi Gras monster, a big glass Cyclopean eye
superimposed on a flattened nose, that print,

the one you took of me as I took one of you. Who,
or what, will it be—will I  be, I wonder? Can’t wait.

© May Swenson. From May Swenson: Collected Poems (Library of America, 2013). Used with permission of The Literary Estate of May Swenson. All rights reserved.

The meek inherit nothing.
God in his tattered coat
this morning, a quiet tongue

in my ear, begging for alms,
cold hands reaching up my skirt.
Little lamb, paupered flock,

bless my black tea with tears.
I have shorn your golden
fleece, worn vast spools

of white lace, glittering jacquard,
gilded fig leaves, jeweled dust
on my skin. Cornsilk hair

in my hems. I have milked
the stout beast of what you call America;
and wear your men across my chest

like furs. Stick-pin fox and snow
blue chinchilla: They too came
to nibble at my door,

the soft pink tangles I trap
them in. Dear watchers in the shadows,
dear thick-thighed fiends. At ease,

please. Tell the hounds who undress
me with their eyes—I have nothing
to hide. I will spread myself

wide. Here, a flash of muscle. Here,
some blood in the hunt. Now the center
of the world: my incandescent cunt.

All hail the dark blooms of amaryllis
and the wild pink Damascus,
my sweet Aphrodite unfolding

in the kink. All hail hot jasmine
in the night; thick syrup
in your mouth, forked dagger

on my tongue. Legions at my heel.
Here at the world’s red mecca,
kneel. Here Eden, here Bethlehem,

here in the cradle of Thebes,
a towering sphinx roams the garden,
her wet dawn devouring.

“Center of the World” first appeared in the December 2015 issue of Poetry. Subsequently published in Cannibal (University of Nebraska Press, 2016). Copyright © 2015 by Safiya Sinclair.

There is a burning star and there is a gift
of choice at least sometimes
once something will come
from the world, it just appears
from nowhere
making event
of the given
heat-guided drives

for public use
for ease of swallowing
honey, fog, and come what may
unsteady in the gravel
unsteady in the sandy murk

I never said
the end I said
credit functions
on the edifice
of the routine
of pillage and extinction
debt swallows the moon

As an ear’s for
tonguing the open out
an ear’s for breathing
engine of thought
knowing what
listens won’t die
but it’s hard to hear
it’s hard to hear
 

Copyright © 2015 by Alli Warren. Originally published in Poem-a-Day on November 16, 2015, by the Academy of American Poets.