the train never comes.
You smell it anyway, its blue-coal
body. In August, the fringe sticky
with Queen Anne’s lace, you might
walk these tracks inside
gigantic noons. I walked them.
You might smash bottles,
start fires, watch clouds from
your back, breathe clouds through
the red sparks of cigarettes.
Take your first sips of bad
sweet wine, cry in a graveyard at night
with your best friend, a half moon
and grave dirt in your hair.
Have your first bad kiss here, like
swallowing a living fish. If you see
the older kids, run, god
knows why. They will chase you
into the waxy halls
of high school. Unlike me,
you will have all your music
in your hand, the best
movies, a phone that calls
everyone at once. Look up.
The big fires of June stars
are so slow and boring they will
keep you awake for good.
Swim the mucky river.
Wash your hair in clover-smell,
the swish of trees. The crows—
you can’t not love it
when they chatter the sun down.
Follow gravel roads
to screaming crickets
and beer, sleep out
on the hood of your
hand-me-down Honda,
wake up with yellow flowers
in your mouth. Walk the streets
on the first night
of fall, every tree swelling
with what I can’t say
and see in the lit-up houses
beautiful pictures
of strangers.
Copyright © 2016 Jeffrey Bean. This poem originally appeared in The Missouri Review. Used with permission of the author.
In the dreamy silence
Of the afternoon, a
Cloth of gold is woven
Over wood and prairie;
And the jaybird, newly
Fallen from the heaven,
Scatters cordial greetings,
And the air is filled with
Scarlet leaves, that, dropping,
Rise again, as ever,
With a useless sigh for
Rest—and it is Autumn.
This poem is in the public domain. Published in Poem-a-Day on November 6, 2021, by the Academy of American Poets.
I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and splurge well
in the silent, startled, icy, black language
of blackberry-eating in late September.
Copyright © 1980 by Galway Kinnell. From Mortal Acts, Mortal Words (Mariner Books, 1980). Used with permission of Houghton Mifflin Harcourt.