If you are anything like I am
and I have faith that you are
then you have already stepped
out of your body
and been irrevocably wounded

I was born in 1969
Chances are you were born
during a different year
It doesn’t matter if you were born
three thousand years ago

or if you are born
three thousand years from now
we share what it means to live

Maybe you have gone
back into your body

and found words
the only guide
into the known dark

We are both the living and the dead
the stuff beyond theory

Sometimes it is too much
and other times not enough

We wake to a morning fog
We wake to morning sun
We sit in a cold evening
thinking of the death of a parent

A different evening
has us thinking of our eyes
and how they crawled
out of our minds

at some point
in the evolution of the self

It is the evening of the first day
of a new year
I ask myself What have you done
The list is remarkable

From Birches. Copyright © 2019 by Carl Adamshick. Used with the permission of The Permissions Company, Inc., on behalf of Four Way Books. 

I am the river of Spavinaw,
    I am the river of pain;
Sadness and gladness must answer my law;
Measure for measure I give, and withdraw
Back through the hills of the Spavinaw,
    Hiding away from the plain.

I am the river of Spavinaw;
    I sing the songs of the world;
Dashing and whirling, swishing and swirling,
Delicate, mystical, silvery spray hurling,
    Sing I the songs of the world,
    The passionate songs of the world.

I sing of laughter and mirth,
    And I laugh in a gurgle of glee
As the myriad joys of the earth
    Trip through the light with me.
Gay shallows dimple, sparkle and ripple.
    Like songs that a lover would sing,
      Skipping in moonlight,
      Tripping in moonlight,
    Whispering echoes of spring.

And again
    I move with the slow sadness of pain.
In my dark blue deep, where the shadows creep,
    I catch up life’s sorrows and mirror them back again.
And my song is a throbbing, pitiful sobbing,
    Choked by an agonized pain.

And then
    I move forth toward the beckoning north,
       And I sing of the power of men.
           As I dash down my falls,
           As I beat at my walls
Frantically fighting, running and righting,
All through the flood, through the snarling and biting,
       I sing of the power of men,
       Of the hurry and power of men.

       I am the river of Spavinaw,
       I am the giver of pain;
Sadness and gladness must answer my law;
Measure for measure I give, and withdraw
Back through the hills of the Spavinaw,
       Hiding away from the plain.

This poem is in the public domain. Published in Poem-a-Day on December 15, 2018, by the Academy of American Poets.

You foolish men who lay
the guilt on women,
not seeing you’re the cause
of the very thing you blame;

if you invite their disdain
with measureless desire
why wish they well behave
if you incite to ill.

You fight their stubbornness,
then, weightily,
you say it was their lightness
when it was your guile.

In all your crazy shows
you act just like a child
who plays the bogeyman
of which he’s then afraid.

With foolish arrogance
you hope to find a Thais
in her you court, but a Lucretia
when you’ve possessed her.

What kind of mind is odder
than his who mists
a mirror and then complains
that it’s not clear.

Their favour and disdain
you hold in equal state,
if they mistreat, you complain,
you mock if they treat you well.

No woman wins esteem of you:
the most modest is ungrateful
if she refuses to admit you;
yet if she does, she’s loose.

You always are so foolish
your censure is unfair;
one you blame for cruelty
the other for being easy.

What must be her temper
who offends when she’s
ungrateful and wearies
when compliant?

But with the anger and the grief
that your pleasure tells
good luck to her who doesn’t love you
and you go on and complain.

Your lover’s moans give wings
to women’s liberty:
and having made them bad,
you want to find them good.

Who has embraced
the greater blame in passion?
She who, solicited, falls,
or he who, fallen, pleads?

Who is more to blame,
though either should do wrong?
She who sins for pay
or he who pays to sin?

Why be outraged at the guilt
that is of your own doing?
Have them as you make them
or make them what you will.

Leave off your wooing
and then, with greater cause,
you can blame the passion
of her who comes to court?

Patent is your arrogance
that fights with many weapons
since in promise and insistence
you join world, flesh and devil.

Copyright © 2004 by Michael Smith. Reprinted by permission of the translator and Shearsman Books Ltd.

Your ride home complains      the grocery store is freezing
they’d rather wait outside       the burly guy
with the walrus stache asks whether you want your Italian
with the works              You’re not sure what that means

So you ask and he tells you    laboriously surprised
and also do you want tomato              thanks
you lean on the counter and focus     on condensation
the chill on your palm and forearm    and under the glass

the meats in trays and butcher paper beds
some sausages            sad stacked-up tongue
a leathery souse or loaf            so out of it

that when he wants to know if that’s your order
and calls out loud         Is that your order ma’am
you startle and then apologize            for taking up his time
but he called you ma’am          so you don’t mind

Copyright © 2019 by Stephanie Burt. Originally published in Poem-a-Day on August 9, 2019, by the Academy of American Poets.

Translated by Ghayde Ghraowi

The soul departing from trees of speech
Does not want to ascend 
Nor to be buried;
It wants to finish reading.
..
My heart is a stone that stumbled in the dirt and broke apart 
..
O the mud of the storm, 
heavy, it drags my soul 
From one tavern to another

 

My hand is a cage that forgot to lock its door
So speech flew away
..
I am made of music 
That departs on an evening jaunt 
To the garden of the unknown 
..
Wherever my sorrow comes to preside
Mud is my door  

 

Outside the blathering cemetery
a lone word was lost 
And began to limp 
..
My garden throne was forlorn; 
peopled with memories 
..
My heart, 
a garden filled with thrones

 

The signal was green 
We crossed the road to eternity 
In familiar forms of transportation 
..
In the furor of death
A new tree sprouted 
In fine script
..
Its scent is like infirmity, 
This soul

 

It was as it must be
I was as I must be
But we did not agree 
..
In a hefty handbag
I abandoned my superstition.  
The soul travels, rising, falling  
From an expensive handbag 
Out leaks my mud
..
Who can direct me toward mud that resembles my dust.

Originally published in the May 2019 issue of Words Without Borders. "Electronic Thorns" © Reem Allawati. By arrangement with the author. Translation © 2019 by Ghayde Ghraowi. All rights reserved.

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.