I rose at the dead of night,
     And went to the lattice alone
To look for my Mother’s ghost
     Where the ghostly moonlight shone.

My friends had failed one by one,
     Middle-aged, young, and old,
Till the ghosts were warmer to me
     Than my friends that had grown cold.

I looked and I saw the ghosts
     Dotting plain and mound:
They stood in the blank moonlight,
     But no shadow lay on the ground:
They spoke without a voice
     And they leaped without a sound.

I called: ‘O my Mother dear,’—
     I sobbed: ‘O my Mother kind,
Make a lonely bed for me
     And shelter it from the wind.

‘Tell the others not to come
     To see me night or day:
But I need not tell my friends
     To be sure to keep away.’

My Mother raised her eyes,
     They were blank and could not see:
Yet they held me with their stare
     While they seemed to look at me.

She opened her mouth and spoke;
     I could not hear a word,
While my flesh crept on my bones
     And every hair was stirred.

She knew that I could not hear
     The message that she told
Whether I had long to wait
     Or soon should sleep in the mould:
I saw her toss her shadowless hair
     And wring her hands in the cold.

I strained to catch her words,
     And she strained to make me hear;
But never a sound of words
     Fell on my straining ear.

From midnight to the cockcrow
     I kept my watch in pain
While the subtle ghosts grew subtler
     In the sad night on the wane.

From midnight to the cockcrow
     I watched till all were gone,
Some to sleep in the shifting sea
     And some under turf and stone:
Living had failed and dead had failed,
     And I was indeed alone.

For my Mother, born March 1902, died March 1959
and my Father, born February 1900, died June 1959

Gone, I say and walk from church,
refusing the stiff procession to the grave,
letting the dead ride alone in the hearse.
It is June. I am tired of being brave.

We drive to the Cape. I cultivate
myself where the sun gutters from the sky,
where the sea swings in like an iron gate
and we touch. In another country people die.

My darling, the wind falls in like stones
from the whitehearted water and when we touch
we enter touch entirely. No one's alone.
Men kill for this, or for as much.

And what of the dead? They lie without shoes
in their stone boats. They are more like stone
than the sea would be if it stopped. They refuse
to be blessed, throat, eye and knucklebone.

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

I have found the warm caves in the woods,
filled them with skillets, carvings, shelves,
closets, silks, innumerable goods;
fixed the suppers for the worms and the elves:
whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.

I have ridden in your cart, driver,
waved my nude arms at villages going by,
learning the last bright routes, survivor
where your flames still bite my thigh
and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.

Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.

Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.

To thrust all that life under your tongue!--
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.