When you turned into a hundred rooms,
I returned each month as a door
that opened only one.

When you turned into a hundred rooms
the wind flung through
each of them wailing

and left a hundred songs
in hopes you would return for it
and me and

once, finding a doe locked up,
the trees blued up
the mountain pass, I understood

you had transformed into your multiple,
as the rain is different
each step from the moon. Sleeping

in a hundred rooms, a hundred dreams
of you appear—though by day
your voice has frozen into standing stones.

When you turned into a hundred rooms,
I met with a mirror in each eye
your growing absence.

When I moved, the shadows without you
followed me. In the hundred rooms,
I cannot pick one,

for each combines into the other
where I piece-by-piece the shadows
you have ceased

to remember. As the rain
is different each day of the year,
when I turned for you

and hoped you’d return to me,
was it I who left
and you who remained the same?

For when you changed,
I changed
the furniture in the rooms.

A hundred birds flew over a hundred fields.
A mountain flowed into a hundred rivers
then ended.

In a hundred rooms,
I turned and turned,
hoping to return to you.

O, the chrysanthemums grew
in the hundred rooms!

Far in the past and far in the future
were those numinous and echoing stars.

A chilly light pervades the empty room
bringing neither its current nor former inhabitant peace.
Rather, its immaterial lingering infests
both the air inside and what we see of the grass
outside—brittle, brown, as if it wanted to avoid the sun.
Inside, the visitor must be respectful
and polite, evasive without actually telling lies.
Everything here seems hidden—is hidden—not
just the bricked-up chimney and plastered-over doorway. Any
clue—under the wide floorboards, behind the blocked entrance—
to the haunted chambers of a heart? Patches of verse, of
old wallpaper, the main street not yet a street. What industry
motivated those uncanny dashes—these shadows
still eluding our meager efforts to scrutinize.