Out here, there’s a bowing even the trees are doing.
Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.
I am a hearth of spiders these days: a nest of trying.
We point out the stars that make Orion as we take out
the trash, the rolling containers a song of suburban thunder.
It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.
And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.
But mostly we’re forgetting we’re dead stars too, my mouth is full
of dust and I wish to reclaim the rising—
to lean in the spotlight of streetlight with you, toward
what’s larger within us, toward how we were born.
Look, we are not unspectacular things.
We’ve come this far, survived this much. What
would happen if we decided to survive more? To love harder?
What if we stood up with our synapses and flesh and said, No.
No, to the rising tides.
Stood for the many mute mouths of the sea, of the land?
What would happen if we used our bodies to bargain
for the safety of others, for earth,
if we declared a clean night, if we stopped being terrified,
if we launched our demands into the sky, made ourselves so big
people could point to us with the arrows they make in their minds,
rolling their trash bins out, after all of this is over?
From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.
how much history is enough history before we can agree
to flee our daycares to wash everything away and start over
leaving laptops to be lost in the wet along with housecats and Christ’s
own mother even a lobster climbs away from its shell a few
times a life but every time I open my eyes I find
I am still inside myself each epiphany dull and familiar
oh now I am barefoot oh now I am lighting the wrong end
of a cigarette I just want to be shaken new like a flag whipping
away its dust want to pull out each of my teeth
and replace them with jewels I’m told what seems like joy
is often joy that the soul lives in the throat plinking
like a copper bell I’ve been so young for so many years
it’s all starting to jumble together joy jeweling copper
its plink a throat sometimes I feel beautiful and near dying
like a feather on an arrow shot through a neck other times
I feel tasked only with my own soreness like a scab on the roof
of a mouth my father believed in gardens delighting
at burying each thing in its potential for growth some years
the soil was so hard the water seeped down slower than the green
seeped up still he’d say if you’re not happy in your own yard
you won’t be happy anywhere I’ve never had a yard but I’ve had apartments
where water pipes burst above my head where I’ve scrubbed
a lover’s blood from the kitchen tile such cleaning
takes so much time you expect there to be confetti at the end
what we’ll need in the next life toothpaste party hats
and animal bones every day people charge out of this world
squealing good-bye human behavior! so long acres
of germless chrome! it seems gaudy for them to be so cavalier
with their bliss while I’m still here lurching into my labor
hanging by my hair from the roof of a chapel churchlight thickening
around me or wandering into the woods to pull apart eggshells emptying
them in the dirt then sewing them back together to dry in the sun
Copyright © 2017 by Kaveh Akbar. From Calling a Wolf a Wolf (Alice James Books, 2017). Used with permission of the author.
I am taken with the hot animal
of my skin, grateful to swing my limbs
and have them move as I intend, though
my knee, though my shoulder, though something
is torn or tearing. Today, a dozen squid, dead
on the harbor beach: one mostly buried,
one with skin empty as a shell and hollow
feeling, and, though the tentacles look soft,
I do not touch them. I imagine they
were startled to find themselves in the sun.
I imagine the tide simply went out
without them. I imagine they cannot
feel the black flies charting the raised hills
of their eyes. I write my name in the sand:
Donika Kelly. I watch eighteen seagulls
skim the sandbar and lift low in the sky.
I pick up a pebble that looks like a green egg.
To the ditch lily I say I am in love.
To the Jeep parked haphazardly on the narrow
street I am in love. To the roses, white
petals rimmed brown, to the yellow lined
pavement, to the house trimmed in gold I am
in love. I shout with the rough calculus
of walking. Just let me find my way back,
let me move like a tide come in.
Copyright © 2017 by Donika Kelly. Originally published in Poem-a-Day on November 20, 2017, by the Academy of American Poets.
is a field
as long as the butterflies say
it is a field
with their flight
it takes a long time
like light or sound or language
we have more
than six sense dialect
adjusting to time
the distance and its permanence
i have found my shortcuts
where i first took form
in the field
Copyright © 2022 by Marwa Helal. Originally published in Poem-a-Day on October 3, 2022, by the Academy of American Poets.