I’m not funding a war
if I pretend the money
in my taxes are only going
toward the roads that
are actively collapsing.
Did you hear about the soldiers
who stole all of those tractors?
Did you hear the company
that makes those tractors,
founded in a country not “fighting” in the war,
was able to brick the tractors
before they were at all functional?
There are in-built kill switches in our devices.
Think about your debts and
how much they weigh.
US company sends a shipment of bricks
equal to the weight of the hard drives they develop
to Singapore because
they can get away with it.
Do you think if the bulldozer used
to build the Killdozer was an American make
it would have been stopped before
it was rendered inert too?
Maybe the make made the autonomy possible.
I’m not funding a war,
I’m in one.
There’s no recourse to repair
what we own within legality.
Amazon acquires OneMedical healthcare,
Amazon sells medical information to the police.
It hasn’t happened yet but
the Ring Doorbells send footage
to the police without the consent
and the knowledge of the “owners,”
and who makes the doorbells?
User on twitter finds out the company
that they got their printer from
can disable its functionality from afar
because their debit card had expired.
A friend can have their CPAP machine
forcibly taken away from them
if they aren’t using it “enough.”
John Deere pioneered the addition of remote
kill switches being installed in technology
and now the idea of one being installed
into a pacemaker is not
so far off.
Rendering a piece of technology inert
is called “bricking” it.
Are you excited to talk to a friend and
because of the status of their debts
a brick is weighed into their body?
Think about what you owe
and how much it weighs,
think about what you give away
and where it goes, think about
how much choice you really have,
if you have choice at all.
Marvin Heemeyer’s choices were diminished
until there was nothing left but to build Killdozer
but even so he was allowed to build it
without the only options he had left becoming bricks.
It’s called a siege when you decide
to wait for your enemy to run out of resources.
It’s called “scorched earth” to destroy anything
that might be useful to whomever you’re fighting against.
Who was the first brick at Stonewall?
We got past Act Up and now you can’t get
a monkeypox vaccine unless you can prove
you’re a gay man who has sex with other men.
Did you know you can be arrested for sodomy still?
Did you know some John Deere tractors only work
if the same farmer is buying Monsanto approved seed?
Marvin Heemeyer said “It is interesting to observe
that I was never caught.”
Maybe we will get a justified right to repair,
maybe the earth will die before then.
Scorched Earth.
We’re in an overwhelming heat wave,
we’re in the coldest summer of the rest of our lives.
They don’t make the tools we need
to become autonomous anymore
because they can ship us
our weight in debts instead.
What happens when we learn
that we can’t use our refrigerators
because we’re late on rent?
What are you going to do
if you’re trying to shoot yourself
in the head and the gun won’t go off
because your sold healthcare data
informed the manufacturer
that because of severe depression
the guns you own will become bricked?
What are you going to do
when you can’t do anything else
but lower the DIY armor
over the caddy of your killdozer,
only to find that it’s been rendered
a series of bricks?
“It is interesting to observe
that I was never caught ...
somehow their vision was clouded”
Copyright © 2024 by aeon ginsberg. Originally published in Poem-a-Day on July 17, 2024, by the Academy of American Poets.
You, selling roses out of a silver grocery cart
You, in the park, feeding the pigeons
You cheering for the bees
You with cats in your voice in the morning, feeding cats
You protecting the river You are who I love
delivering babies, nursing the sick
You with henna on your feet and a gold star in your nose
You taking your medicine, reading the magazines
You looking into the faces of young people as they pass, smiling and saying, Alright! which, they know it, means I see you, Family. I love you. Keep on.
You dancing in the kitchen, on the sidewalk, in the subway waiting for the train because Stevie Wonder, Héctor Lavoe, La Lupe
You stirring the pot of beans, you, washing your father’s feet
You are who I love, you
reciting Darwish, then June
Feeding your heart, teaching your parents how to do The Dougie, counting to 10, reading your patients’ charts
You are who I love, changing policies, standing in line for water, stocking the food pantries, making a meal
You are who I love, writing letters, calling the senators, you who, with the seconds of your body (with your time here), arrive on buses, on trains, in cars, by foot to stand in the January streets against the cool and brutal offices, saying: YOUR CRUELTY DOES NOT SPEAK FOR ME
You are who I love, you struggling to see
You struggling to love or find a question
You better than me, you kinder and so blistering with anger, you are who I love, standing in the wind, salvaging the umbrellas, graduating from school, wearing holes in your shoes
You are who I love
weeping or touching the faces of the weeping
You, Violeta Parra, grateful for the alphabet, for sound, singing toward us in the dream
You carrying your brother home
You noticing the butterflies
Sharing your water, sharing your potatoes and greens
You who did and did not survive
You who cleaned the kitchens
You who built the railroad tracks and roads
You who replanted the trees, listening to the work of squirrels and birds, you are who I love
You whose blood was taken, whose hands and lives were taken, with or without your saying
Yes, I mean to give. You are who I love.
You who the borders crossed
You whose fires
You decent with rage, so in love with the earth
You writing poems alongside children
You cactus, water, sparrow, crow You, my elder
You are who I love,
summoning the courage, making the cobbler,
getting the blood drawn, sharing the difficult news, you always planting the marigolds, learning to walk wherever you are, learning to read wherever you are, you baking the bread, you come to me in dreams, you kissing the faces of your dead wherever you are, speaking to your children in your mother’s languages, tootsing the birds
You are who I love, behind the library desk, leaving who might kill you, crying with the love songs, polishing your shoes, lighting the candles, getting through the first day despite the whisperers sniping fail fail fail
You are who I love, you who beat and did not beat the odds, you who knows that any good thing you have is the result of someone else’s sacrifice, work, you who fights for reparations
You are who I love, you who stands at the courthouse with the sign that reads NO JUSTICE, NO PEACE
You are who I love, singing Leonard Cohen to the snow, you with glitter on your face, wearing a kilt and violet lipstick
You are who I love, sighing in your sleep
You, playing drums in the procession, you feeding the chickens and humming as you hem the skirt, you sharpening the pencil, you writing the poem about the loneliness of the astronaut
You wanting to listen, you trying to be so still
You are who I love, mothering the dogs, standing with horses
You in brightness and in darkness, throwing your head back as you laugh, kissing your hand
You carrying the berbere from the mill, and the jug of oil pressed from the olives of the trees you belong to
You studying stars, you are who I love
braiding your child’s hair
You are who I love, crossing the desert and trying to cross the desert
You are who I love, working the shifts to buy books, rice, tomatoes,
bathing your children as you listen to the lecture, heating the kitchen with the oven, up early, up late
You are who I love, learning English, learning Spanish, drawing flowers on your hand with a ballpoint pen, taking the bus home
You are who I love, speaking plainly about your pain, sucking your teeth at the airport terminal television every time the politicians say something that offends your sense of decency, of thought, which is often
You are who I love, throwing your hands up in agony or disbelief, shaking your head, arguing back, out loud or inside of yourself, holding close your incredulity which, yes, too, I love I love
your working heart, how each of its gestures, tiny or big, stand beside my own agony, building a forest there
How “Fuck you” becomes a love song
You are who I love, carrying the signs, packing the lunches, with the rain on your face
You at the edges and shores, in the rooms of quiet, in the rooms of shouting, in the airport terminal, at the bus depot saying “No!” and each of us looking out from the gorgeous unlikelihood of our lives at all, finding ourselves here, witnesses to each other’s tenderness, which, this moment, is fury, is rage, which, this moment, is another way of saying: You are who I love You are who I love You and you and you are who
Copyright © 2017 by Aracelis Girmay. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.