An original poem written for the inaugural reading of Poet Laureate Tracy K. Smith at the Library of Congress.

There’s a poem in this place—
in the footfalls in the halls
in the quiet beat of the seats.
It is here, at the curtain of day,
where America writes a lyric
you must whisper to say.

There’s a poem in this place—
in the heavy grace,
the lined face of this noble building,
collections burned and reborn twice.

There’s a poem in Boston’s Copley Square
where protest chants
tear through the air
like sheets of rain,
where love of the many
swallows hatred of the few.

There’s a poem in Charlottesville
where tiki torches string a ring of flame
tight round the wrist of night
where men so white they gleam blue—
seem like statues
where men heap that long wax burning
ever higher
where Heather Heyer
blooms forever in a meadow of resistance.

There’s a poem in the great sleeping giant
of Lake Michigan, defiantly raising
its big blue head to Milwaukee and Chicago—
a poem begun long ago, blazed into frozen soil,
strutting upward and aglow.

There’s a poem in Florida, in East Texas
where streets swell into a nexus
of rivers, cows afloat like mottled buoys in the brown,
where courage is now so common
that 23-year-old Jesus Contreras rescues people from floodwaters.

There’s a poem in Los Angeles
yawning wide as the Pacific tide
where a single mother swelters
in a windowless classroom, teaching
black and brown students in Watts
to spell out their thoughts
so her daughter might write
this poem for you.             

There's a lyric in California
where thousands of students march for blocks,
undocumented and unafraid;
where my friend Rosa finds the power to blossom
in deadlock, her spirit the bedrock of her community.
She knows hope is like a stubborn
ship gripping a dock,
a truth: that you can’t stop a dreamer
or knock down a dream.

How could this not be her city
su nación
our country
our America,
our American lyric to write—
a poem by the people, the poor,
the Protestant, the Muslim, the Jew,
the native, the immigrant,
the black, the brown, the blind, the brave,
the undocumented and undeterred,
the woman, the man, the nonbinary,
the white, the trans,
the ally to all of the above
and more?

Tyrants fear the poet.
Now that we know it
we can’t blow it.
We owe it
to show it
not slow it
although it
hurts to sew it
when the world
skirts below it.       

Hope—
we must bestow it
like a wick in the poet
so it can grow, lit,
bringing with it
stories to rewrite—
the story of a Texas city depleted but not defeated
a history written that need not be repeated
a nation composed but not yet completed.

There’s a poem in this place—
a poem in America
a poet in every American
who rewrites this nation, who tells
a story worthy of being told on this minnow of an earth
to breathe hope into a palimpsest of time—
a poet in every American
who sees that our poem penned
doesn’t mean our poem’s end.

There’s a place where this poem dwells—
it is here, it is now, in the yellow song of dawn’s bell
where we write an American lyric
we are just beginning to tell.

Copyright © 2017 by Amanda Gorman. Reprinted from Split This Rock's The Quarry: A Social Justice Database.

The sky is a dry pitiless white. The wide rows stretch on into death.
Like famished birds, my hands strip each stalk of its stolen crop: our name.

History is a ship forever setting sail. On either shore: mountains of men,
Oceans of bone, an engine whose teeth shred all that is not our name.

Can you imagine what will sound from us, what we’ll rend and claim
When we find ourselves alone with all we’ve ever sought: our name?

Or perhaps what we seek lives outside of speech, like a tribe of goats
On a mountain above a lake, whose hooves nick away at rock. Our name

Is blown from tree to tree, scattered by the breeze. Who am I to say what,
In that marriage, is lost? For all I know, the grass has caught our name.

Having risen from moan to growl, growl to a hound’s low bray,
The voices catch. No priest, no sinner has yet been taught our name.

Will it thunder up, the call of time? Or lie quiet as bedrock beneath
Our feet? Our name our name our name our fraught, fraught name.

From Wade in the Water. Copyright © 2018 by Tracy K. Smith. Reprinted with the permission of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

You can’t begin just anywhere. It’s a wreck.

                                                                             Shrapnel and the eye

Of a house, a row of houses. There’s a rat scrambling

From light with fleshy trash in its mouth. A baby strapped

to its mother’s back, cut loose.
                                                                       Soldiers crawl the city,

the river, the town, the village,

                                the bedroom, our kitchen. They eat everything.
Or burn it.

They kill what they cannot take. They rape. What they cannot kill
                                                                                        they take.

Rumors fall like rain.

                                   Like bombs.

Like mother and father tears

swallowed for restless peace.

Like sunset slanting toward a moonless midnight.

Like a train blown free of its destination.                      Like a seed

fallen where

there is no chance of trees          or anyplace       for birds to live.


No, start here.                    Deer peer from the edge of the woods.


                                                         We used to see woodpeckers

The size of the sun, and were greeted

by chickadees with their good morning songs.

We’d started to cook outside, slippery with dew and laughter,

                                    ah those smoky sweet sunrises.

We tried to pretend war wasn’t going to happen.

Though they began building their houses all around us

                                         and demanding more.

They started teaching our children their god’s story,

A story in which we’d always be slaves.

No. Not here.

You can’t begin here.

This is memory shredded because it is impossible to hold with words,

even poetry.

These memories were left here with the trees:

The torn pocket of your daughter’s hand-sewn dress,

the sash, the lace.

The baby’s delicately beaded moccasin still connected to the foot,

A young man’s note of promise to his beloved—
 

No! This is not the best place to begin.


Everyone was asleep, despite the distant bombs.

                                        Terror had become the familiar stranger.

Our beloved twin girls curled up in their nightgowns,

                                                                 next to their father and me.

If we begin here, none of us will make it to the end

Of the poem.

Someone has to make it out alive, sang a grandfather

to his grandson, his granddaughter,

as he blew his most powerful song into the hearts of the children.

There it would be hidden from the soldiers,

Who would take them miles, rivers, mountains

                                     from the navel cord place of the origin story.

He knew one day, far day, the grandchildren would return,

generations later over slick highways, constructed over old trails

Through walls of laws meant to hamper or destroy, over stones

bearing libraries of the winds.

He sang us back

to our home place from which we were stolen

in these smoky green hills.

Yes, begin here.

From An American Sunrise: Poems by Joy Harjo. Copyright © 2019 by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

Put down that bag of potato chips, that white bread, that bottle of pop.

Turn off that cellphone, computer, and remote control.

Open the door, then close it behind you.

Take a breath offered by friendly winds. They travel the earth gathering essences of plants to clean.

Give it back with gratitude.

If you sing it will give your spirit lift to fly to the stars’ ears and back.

Acknowledge this earth who has cared for you since you were a dream planting itself precisely within your parents’ desire.

Let your moccasin feet take you to the encampment of the guardians who have known you before time, who will be there after time. They sit before the fire that has been there without time.

Let the earth stabilize your postcolonial insecure jitters.

Be respectful of the small insects, birds and animal people who accompany you.
Ask their forgiveness for the harm we humans have brought down upon them.

Don’t worry.
The heart knows the way though there may be high-rises, interstates, checkpoints, armed soldiers, massacres, wars, and those who will despise you because they despise themselves.

The journey might take you a few hours, a day, a year, a few years, a hundred, a thousand or even more.

Watch your mind. Without training it might run away and leave your heart for the immense human feast set by the thieves of time.

Do not hold regrets.

When you find your way to the circle, to the fire kept burning by the keepers of your soul, you will be welcomed.

You must clean yourself with cedar, sage, or other healing plant.

Cut the ties you have to failure and shame.

Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction.

Ask for forgiveness.

Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.

Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.

You must call in a way that your spirit will want to return.

Speak to it as you would to a beloved child.

Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.

Your spirit will need to sleep awhile after it is bathed and given clean clothes.

Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go.

Make a giveaway, and remember, keep the speeches short.

Then, you must do this: help the next person find their way through the dark. 

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo.  Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.

from “Mama and Papa Have the Going Home Shiprock Blues”

Forever.
And ever.
And ever.
There’s my cousin. Auntie. Uncle.
Another cousin.
Ever.
And ever.
And ever.
Vending machines and pop.
Chips, candy, and not enough clean water.
And ever, ever, ever.
Waiting and tired.
Tired of waiting.
Forever.
And ever.
And ever.
Go water the horses.

This poem was commissioned for T.C. Cannon: At the Edge of America, a book edited by Karen Kramer and published by Peabody Essex Museum. Copyright © 2018 by Joy Harjo. Used with the permission of the author.

Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.

                              MARCH 4, 2013, CHAMPAIGN, ILLINOIS

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo.  Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.