Out here, there’s a bowing even the trees are doing.
Winter’s icy hand at the back of all of us.
Black bark, slick yellow leaves, a kind of stillness that feels
so mute it’s almost in another year.
I am a hearth of spiders these days: a nest of trying.
We point out the stars that make Orion as we take out
the trash, the rolling containers a song of suburban thunder.
It’s almost romantic as we adjust the waxy blue
recycling bin until you say, Man, we should really learn
some new constellations.
And it’s true. We keep forgetting about Antlia, Centaurus,
Draco, Lacerta, Hydra, Lyra, Lynx.
But mostly we’re forgetting we’re dead stars too, my mouth is full
of dust and I wish to reclaim the rising—
to lean in the spotlight of streetlight with you, toward
what’s larger within us, toward how we were born.
Look, we are not unspectacular things.
We’ve come this far, survived this much. What
would happen if we decided to survive more? To love harder?
What if we stood up with our synapses and flesh and said, No.
No, to the rising tides.
Stood for the many mute mouths of the sea, of the land?
What would happen if we used our bodies to bargain
for the safety of others, for earth,
if we declared a clean night, if we stopped being terrified,
if we launched our demands into the sky, made ourselves so big
people could point to us with the arrows they make in their minds,
rolling their trash bins out, after all of this is over?
From The Carrying (Milkweed Editions, 2018) by Ada Limón. Copyright © 2018 by Ada Limón. Used with the permission of Milkweed Editions. milkweed.org.
Yesterday a little girl got slapped to death by her daddy, out of work, alcoholic, and estranged two towns down river. America, it's hard to get your attention politely. America, the beautiful night is about to blow up and the cop who brought the man down with a shot to the chops is shaking hands, dribbling chaw across his sweaty shirt, and pointing cars across the courthouse grass to park. It's the Big One one more time, July the 4th, our country's perfect holiday, so direct a metaphor for war, we shoot off bombs, launch rockets from Drano cans, spray the streets and neighbors' yards with the machine-gun crack of fireworks, with rebel yells and beer. In short, we celebrate. It's hard to believe. But so help the soul of Thomas Paine, the entire county must be here--the acned faces of neglect, the halter-tops and ties, the bellies, badges, beehives, jacked-up cowboy boots, yes, the back-up singers of democracy all gathered to brighten in unambiguous delight when we attack the calm and pointless sky. With terrifying vigor the whistle-stop across the river will lob its smaller arsenal halfway back again. Some may be moved to tears. We'll clean up fast, drive home slow, and tomorrow get back to work, those of us with jobs, convicting the others in the back rooms of our courts and malls--yet what will be left of that one poor child, veteran of no war but her family's own? The comfort of a welfare plot, a stalk of wilting prayers? Our fathers' dreams come true as nightmare. So the first bomb blasts and echoes through the streets and shrubs: red, white, and blue sparks shower down, a plague of patriotic bugs. Our thousand eyeballs burn aglow like punks. America, I'd swear I don't believe in you, but here I am, and here you are, and here we stand again, agape.
From Like Thunder: Poets Respond to Violence in America, edited by Virgil Suárez and Ryan G. Van Cleave, published by the University of Iowa Press. Copyright © 2002 by Virgil Suárez and Ryan G. Van Cleave. All rights reserved.