is what my sons call the flowers— purple, white, electric blue— pom-pomming bushes all along the beach town streets. I can’t correct them into hydrangeas, or I won’t. Bees ricochet in and out of the clustered petals, and my sons panic and dash and I tell them about good insects, pollination, but the truth is I want their fear-box full of bees. This morning the radio said tender age shelters. This morning the glaciers are retreating. How long now until the space-print backpack becomes district-policy clear? We’re almost to the beach, and High dangerous! my sons yell again, their joy in having spotted something beautiful, and called it what it is.
Copyright © 2019 by Catherine Pierce. Originally published in Poem-a-Day on March 1, 2019, by the Academy of American Poets.
now she’s gone my teacher wants to know
where the speaker enters the poem
the wind blows open the screen door & it catches
on its chain. outback my neighbors are smoking
a pig to make it last. my teacher only became
my teacher after she passed. before that
she was a woman who had lived a long time.
as always i am an ungrateful child, a student
first of ingratitude. ungracious as a wasp. a knot
in a history of rope your hands don’t notice
as you hold on for dear life. dear life, the speaker
is the chain holding the door closed & the wind
is my teacher, the smoke curing meat,
my teacher had stories about all the dead poets
which made her, while living, prophetic. proximity
is next to godliness. for a woman who had no use
for music or pleasure her writing beats the page
until knuckles singe. my speaker wants to know
when the teacher enters the poem, if she ever leaves,
if she’s always there in the text shaking her heads
cutting the weeds.
Copyright © 2023 by Sam Sax. Originally published in Poem-a-Day on May 12, 2023, by the Academy of American Poets.
with some help from Ahmad
I wanna write lyrical, but all I got is magical.
My book needs a poem talkin bout I remember when
Something more autobiographical
Mi familia wanted to assimilate, nothing radical,
Each month was a struggle to pay our rent
With food stamps, so dust collects on the magical.
Each month it got a little less civil
Isolation is a learned defense
When all you wanna do is write lyrical.
None of us escaped being a criminal
Of the state, institutionalized when
They found out all we had was magical.
White room is white room, it’s all statistical—
Our calendars were divided by Sundays spent
In visiting hours. Cold metal chairs deny the lyrical.
I keep my genes in the sharp light of the celestial.
My history writes itself in sheets across my veins.
My parents believed in prayer, I believed in magical
Well, at least I believed in curses, biblical
Or not, I believed in sharp fists,
Beat myself into lyrical.
But we were each born into this, anger so cosmical
Or so I thought, I wore ten chokers and a chain
Couldn’t see any significance, anger is magical.
Fists to scissors to drugs to pills to fists again
Did you know a poem can be both mythical and archeological?
I ignore the cataphysical, and I anoint my own clavicle.
Copyright © 2021 by Suzi F. Garcia. Originally published in Poem-a-Day on September 28, 2021, by the Academy of American Poets.
If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or, being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with triumph and disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to broken,
And stoop and build ’em up with wornout tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on”;
If you can talk with crowds and keep your virtue,
Or walk with kings—nor lose the common touch;
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run—
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
This poem is in the public domain.