The funeral past and also I loved him.
And also I, him and so loved past him.
And so all funeral the past ran animal
Up to our eyes, and so, lo, I loved
Any which him, the I-him, the scandal-
Animal of him hanging his newborn
Twenty years past newborn out of a moving car,
The silence of the road sorrowing up.
I didn’t want to begin with music,
The cough of shovels, the hiss of white chairs
Tallying the fraudulence and broken
Hip of my uncle already five days
Past Barabbas, the shekels spent on Hen-
Nessey, the account drained, thieved, drained,
My father, seven days in silence, God
Touching his weariness (or not) like a hunter
That comes upon a broken instrument
In the woods, the thing made feral
By its brokenness so cautiously he attends
To the gut and tender of it, his hand
Raising the neck from the leaves, running one
Finger across its throat and listening
For blood or what blood remains howling. Wolf.

Copyright © 2017 Roger Reeves. Used with permission of the author. This poem originally appeared in Tin House, Fall 2017.

In the bronze skin of your rain-mottled angel of immigration
who looks forward 
                          with a faux diamond clasp 
               of upward mobility on her watery clavicle, 
                                       inner rain called mizzle is shining— 
a frayed chrome-polishing 
                                        rag on a bicycle while the fig tree 
loses its foliage due to a blight called rust. Dear millennium, 
                           destined to be a girl, 
an artist not engineer, 
you’ve never fallen in love. (Do you even believe?) Centuries, 
                                                 this peace offering— 
a non-fruiting olive 
                                       after your lavender died of root-rot 
                            on a winter afternoon in the north. 
(Day after a sea storm, holy 
and granular— 
             bayside hailing clean off the rim, napthlalene 
                                         stored in mothless boxes of air, 
of agelessness, hybrid tea-roses, and rocket fuel.) 
                           Ear-shaped, honey-combed morels 
flourish by the rosemary, edible yet uneaten— 
                                       dearly so, as evidence 
of a battered dictionary you once loved, too. (Light-drenched sea, 
             all its charismatic splendor, is a room 
                                                          of meticulous self-reform, 
                                       noxious blue-eyed madness 
of the dead.) For this reason, your ancestors 
                         wished to sail on a ship around a landform 
              to its southernmost point (Dear millennium, what we loved 
                          is written tenderly in the dregs of the earth.) 
Dear millennium, see how immigrants 
                         yearn for departure not extravagance, 
freedom with a notion of rootedness 
                                       or nesting. 
In doing so, this generational reimagining, dear millennium— 
you are cured of nothing 
                                       yet everything at once.

Copyright © 2019 Karen An-hwei Lee. This poem originally appeared in Poetry Northwest, Winter & Spring 2019. Used with permission of the author.