In that great journey of the stars through space
     About the mighty, all-directing Sun,
     The pallid, faithful Moon, has been the one
Companion of the Earth. Her tender face,
Pale with the swift, keen purpose of that race,
     Which at Time’s natal hour was first begun,
     Shines ever on her lover as they run
And lights his orbit with her silvery smile.

Sometimes such passionate love doth in her rise,
     Down from her beaten path she softly slips,
And with her mantle veils the Sun’s bold eyes,
     Then in the gloaming finds her lover’s lips.
While far and near the men our world call wise
     See only that the Sun is in eclipse.

Shame on you for dating a museum:
Everything is dead there and nothing is alive.
Not everyone who lives to be old embraces
the publicity of it all. I mean, you get up and folks
want to know, How did you get here? What makes you
go? What is the secret? And there is no secret except
there are many things that build the years out.
They are not vegetables every day and working out
but a faith that all of these things add up
and lead us to some sum total happiness
we can cash in for forever love in the face
of never lasting. That people along the way
keep disappearing in a variety show of deathbed ways
is also the sheer terror that it may not hold for us too.
That we may outlast everything and be left
alone to keep going, never Icarus with wax melting,
never the one whose smoke & drink undid
the lungs that pull our wings in then out and the liver
that keeps chugging the heft of Elizabeth Cotten’s
“Freight Train” with her upside down left hand guitar still
playing in videos past her presence. I have become a person since
I reorganized my face in the mirror and the world is my inflation.
But this testament offers no sound or silence since
nothing is proven yet and you are still here,
the dead stars’ light landing on your rods and cones
in a vitrine of cameos building—blink.

Between forest and field, a threshold 
like stepping from a cathedral into the street—
the quality of air alters, an eclipse lifts, 

boundlessness opens, earth itself retextured 
into weeds where woods once were.
Even planes of motion shift from vertical

navigation to horizontal quiescence:   
there’s a standing invitation to lie back 
as sky’s unpredictable theater proceeds. 

Suspended in this ephemeral moment 
after leaving a forest, before entering
a field, the nature of reality is revealed.